{"title":"Digital Cinematography Cameras","description":"","products":[{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-digital-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera","description":"","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535100334220,"sku":"CINEURSAMUPRO46KG2","price":24270.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/blackmagic_design_ursa_mini_pro_4_6k_1551868516_1464917.jpg?v=1772744128"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-pl","title":"Blackmagic Design URSA Mini Pro 12K (PL)","description":"\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eLens Mount\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003eARRI PL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eIncluded Lens Mount Adapter\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\u003ci\u003eNone\u003c\/i\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eLens Communication\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eSensor Resolution\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eEffective: 79.6 Megapixel (12,288 x 6480)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eSensor Type\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e27.03 x 14.25 mm (Super35) CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eBuilt-In ND Filter\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eMechanical Filter Wheel with Clear, 2 Stop (1\/4), 4 Stop (1\/16), 6 Stop (1\/64) ND Filters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eShutter Type\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eElectronic Rolling Shutter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAdvertised Dynamic Range\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e14 Stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eRaw Recording\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003eRaw 12-Bit\u003c\/b\u003e12288 x 6480 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps [72 to 578 MB\/s]\u003cb\u003e\u003c\/b\u003e11520 x 648 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e12288 x 5112 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e7680 x 6408 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e8192 x 4320 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps [32 to 258 MB\/s]\u003cb\u003e\u003c\/b\u003e7680 x 4320 up to 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps\u003cb\u003e\u003c\/b\u003e8192 x 3408 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps\u003cb\u003e\u003c\/b\u003e5120 x 4272 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps\u003cb\u003e\u003c\/b\u003e6144 x 3240 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60\/119.88 fps [18 to 145 MB\/s]\u003cb\u003e\u003c\/b\u003e4096 x 2160 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps [8 to 65 MB\/s]\u003cb\u003e\u003c\/b\u003e4096 x 2160 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e3840 x 2160 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e4096 x 1704 at 23.98\/24.00\/25\/29.97\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e2560 x 2136 at 23.98\/24.00\/25\/29.97\/50\/59.94\/60 fps\u003cb\u003e\u003c\/b\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eVariable Frame Rates\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e12K: Up to 60 fps12K Anamorphic: Up to 75 fps8K: Up to 119.88 fpsDCI 4K: Up to 119.88 fps8K Anamorphic: Up to 160 fps4K Anamorphic: Up to 160 fps6K (Windowed): Up to 119.88 fpsDCI 4K (Windowed): Up to 240 fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eBuilt-In Microphone Type\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAudio Recording\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e2-Channel 24-Bit 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eRaw Output\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003eUSB: \u003c\/b\u003e12 x 64808192 x 43206144 x 32404096 x 2160\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eMedia\/Memory Card Slot\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003eDual Slot: CFast (CFast 2.0)Dual Slot: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eVideo I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Input\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Output\u003cb\u003e1 x \u003c\/b\u003eBNC (3G-SDI) Monitor Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAudio I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Output\u003cb\u003e1 x \u003c\/b\u003e1\/8\" \/ 3.5 mm TRRS Headphone\/Mic Input\/Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003ePower I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin Input\u003cb\u003e1 x \u003c\/b\u003eMolex 12-Pin Input\/Output\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin (12 VDC) Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOther I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C (USB 3.2 \/ 3.1 Gen 2)\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C Data Input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eStorage Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e-4 to 113°F \/ -20 to 45°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Humidity\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e0 to 90%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAccessory Mount\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e4 x \u003c\/b\u003e1\/4\"-20 Female\u003cb\u003e1 x \u003c\/b\u003eARRI\/Hirth Rosette\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e9.2 x 5.92 x 5.87\" \/ 23.4 x 15.04 x 14.91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eMedia\/Memory Card Slot\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003eDual Slot: CFast (CFast 2.0)Dual Slot: SD\/SDHC\/SDXC (UHS-II)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eVideo I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Input\u003cb\u003e1 x \u003c\/b\u003eBNC (12G-SDI) Output\u003cb\u003e1 x \u003c\/b\u003eBNC (3G-SDI) Monitor Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAudio I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e2 x \u003c\/b\u003eXLR 3-Pin Mic\/Line (+48 V Phantom Power) Output\u003cb\u003e1 x \u003c\/b\u003e1\/8\" \/ 3.5 mm TRRS Headphone\/Mic Input\/Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003ePower I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin Input\u003cb\u003e1 x \u003c\/b\u003eMolex 12-Pin Input\/Output\u003cb\u003e1 x \u003c\/b\u003eXLR 4-Pin (12 VDC) Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOther I\/O\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C (USB 3.2 \/ 3.1 Gen 2)\u003cb\u003e1 x \u003c\/b\u003eUSB Type-C Data Input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cbr\u003e \u003cbr\u003e\u003ctable class=\"table_fDXOr6EpR9\" data-selenium=\"specsItemGroupTable\"\u003e\u003ctbody\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9 \" data-selenium=\"specsItemGroupTableColumnValue\"\u003e32 to 104°F \/ 0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eStorage Temperature\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e-4 to 113°F \/ -20 to 45°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eOperating Humidity\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e0 to 90%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eAccessory Mount\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e\n\u003cb\u003e4 x \u003c\/b\u003e1\/4\"-20 Female\u003cb\u003e1 x \u003c\/b\u003eARRI\/Hirth Rosette\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"pair_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableRow\"\u003e\n\u003ctd class=\"label_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnLabel\"\u003eDimensions (W x H x D)\u003c\/td\u003e\n\u003ctd class=\"value_fDXOr6EpR9\" data-selenium=\"specsItemGroupTableColumnValue\"\u003e9.2 x 5.92 x 5.87\" \/ 23.4 x 15.04 x 14.91 cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535100366988,"sku":"CINEURSAMUPRO12K","price":25852.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/blackmagic_design_ursa_mini_pro_12k_1594908697_1578059.jpg?v=1772744127"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"\u003cdiv\u003e\u003cdiv class=\"productDescription_UbV5SNP5Eo\" data-selenium=\"overviewLongDescription\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThe \u003cb\u003eBlackmagic Design Pocket Cinema Camera 4K\u003c\/b\u003e features a 4\/3\" sensor for capturing up to 4096 x 2160 DCI 4K images at rates up to 75 fps in a variety of codecs including Blackmagic Raw at several bit rates and various ProRes 422 options. With the 6.6 update, the BMPCC 4K now offers up to 80 fps in a 2.8K raw mode for 4:3 anamorphic and up to 75 fps in a 4K raw mode in 2.4:1 widescreen. A 2x de-squeeze preview is available for 4:3 recording as well as a 1.33x de-squeeze option. Slow-motion rates up to 120 fps are available in 2.6K raw for Super16 lenses and in cropped Full HD. The 6.6 update makes operating easier with support for the Pocket Battery Grip and a built-in horizon level function. Further 6.6 update features include support for additional languages, USB PTP control, customizable frame guides, an up to 8x pinch-to-zoom function, the ability to embed custom LUTs as metadata in Blackmagic Design Raw, and more.\u003cbr\u003eThe Micro Four Thirds lens mount accommodates the original, lightweight Pocket Cinema Camera lenses, and can be used with PL, C, EF, and other lenses with the use of separately available adapters. A dual-native ISO up to 25,600 is featured for low-light capture, and 13 stops of dynamic range provide rich HDR images.\u003cbr\u003eRecord using the internal CFast 2.0 and SD\/UHS-II card slots or employ the USB Type-C output for capturing longer clips to an external drive. The Pocket Cinema Camera 4K's 5\" touchscreen LCD reduces the need for an external, onboard monitor, while a full-sized HDMI port enables you to output a signal to a larger display. The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or baking in your look when you're ready to commit.\u003cbr\u003eAudio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic Design OS as the URSA Mini and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Blackmagic Design  Pocket Cinema Camera 4K's carbon fiber composite build provides lightweight strength and durability, and power options include running off the included Canon LP-E6 type battery or the included power supply.\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K 4\/3\" Image Sensor \/ Dual Native ISO\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Design Pocket Cinema Camera 4K uses a 4\/3\" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic Design  Pocket Cinema Camera 4K Active Micro Four Thirds Lens Mount\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUse lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K Anamorphic Capture\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Raw 4:3 2880 x 2160 (2.8K) anamorphic options with 2x and 1.33x de-squeeze preview functions.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic Design  Pocket Cinema Camera 4K Shooting Resolutions\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e4096 x 2160 (DCI 4K), 2.4:1 4096 x 1712 (4K), 3840 x 2160 (Ultra HD 4K), Super16 2688 x 1512 (2.6K), 1920 x 1080 (HD).\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAspect Ratio Options\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCreate customized aspect ratios or choose preset guidelines including 1:1 and 4:5.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBlackmagic Raw and ProRes Options\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eChoose from Blackmagic Raw and ProRes 422 files options depending on your project's needs.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e5\" Touchscreen Display\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA large 5\" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K CFast 2.0, SD\/UHS-II, and USB Type-C Capture\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eInternally record to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB Type-C output to an external drive.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePocket Cinema Camera 4K Flexible Power Options\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery, the separately available Pocket Battery Grip, or the included power supply.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDaVinci Resolve Studio\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAn activation key for DaVinci Resolve Studio is included with the camera.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ca href=\"https:\/\/systecintl.ae\/\"\u003eBUY IT TODAY FROM SYSTEC INTERNATIONAL DUBAI\u003c\/a\u003ewe service most of Video Production company in Dubai\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/maps.app.goo.gl\/1ifB6SBPMDDpzqH28\"\u003eFind our location \u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535107084428,"sku":"CINECAMPOCHDMFT4K","price":5244.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Blackmagic_Pocket_Cinema_Camera_4K_Angle_RGB.webp?v=1772744177"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-g2-cinema-camera-body-only","title":"Blackmagic Design Pocket Cinema Camera 6K G2 Cinema Camera-Body only","description":"\u003ch1\u003eIntroducing Blackmagic Pocket 6K G2 Cinema Camera\u003c\/h1\u003e\u003cbr\u003e\u003ch2\u003eBuy Blackmagic Pocket 6K G2 Cinema Camera\u003c\/h2\u003e\u003cbr\u003eThe \u003cstrong\u003eBlackmagic PPocket 6K G2 Cinema Camera\u003c\/strong\u003e is the latest compact Super35 cinema camera camera to join the \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e series.Blackmagic Pocket 6K G2 Cinema Camera is now available in Systec internationalThis cine-style camera features the same 6K S35 sensor, recording features, dynamic range, interface ports, and controls as the 6K Pro but pares a few features to create a more affordable form. Features inherited from the 6K Pro include a 5\" tilting touchscreen LCD, Pro EVF and battery grip options, dual mini-XLR audio inputs, an NP-F570 L-series battery slot, and the updated Gen 5 color science. By eliminating the internal ND filters and reducing the 1500cd\/m² LCD brightness of the 6K Pro, Blackmagic now enables users to choose between two near identical 6K models as best suits their priorities.\u003cimg src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/landing\/hero\/hero-en-xl@2x.jpg?_v=1652932671\" alt=\"blackmagic pocket 6k systecinternational cinema camera\"\u003e\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.ae\" target=\"_blank\" rel=\"noopener\"\u003ebuy it today from Systec international \u003c\/a\u003e\u003cbr\u003eThe \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\/products\/blackmagicpocketcinemacamera\/techspecs\/W-CIN-19\" target=\"_blank\" rel=\"noopener\"\u003eBlackmagic Design 6K G2 \u003c\/a\u003ecamera comes with a DaVinci Resolve Studio activation key plus a 30W power supply, offering simultaneous battery charging, an NP-F570 battery, a lens port cap, and a camera strap.\u003cbr\u003e\u003ch2\u003eBlackmagic Pocket 6K G2 Cinema Camera\u003c\/h2\u003e\u003cbr\u003e\u003cstrong\u003eFirmware Update 7.9\u003c\/strong\u003e\u003cbr\u003eFirmware upgrade 7.9 features include:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eA new focus-assist intensity adjustment slider\u003c\/li\u003e    \u003cli\u003eThe ability to select between SD and SSD media on the LCD screen itself\u003c\/li\u003e    \u003cli\u003eFrame guide color adjustment\u003c\/li\u003e    \u003cli\u003eImproved lens control and autofocus features\u003c\/li\u003e    \u003cli\u003eAdds support for focus and zoom demands—no longer just for studio cameras\u003c\/li\u003e    \u003cli\u003eGyro sensor information can be recorded into data and DaVinci Pro can use the gyro data to stabilize the footage\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/landing\/cameras\/cameras-xl@2x.jpg?_v=1652934163\" alt=\"blackmagic pocket 6k g2 from systec international cinema camera\"\u003e\u003cbr\u003e\u003ch3\u003eSuper35 Image Sensor\/Dual Native ISO\u003c\/h3\u003e\u003cbr\u003eThe Pocket 6K G2 Cinema Camera camera uses a Super35 size sensor, 13 stops of dynamic range, and a dual native 400\/3200 ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 60 fps\u003cbr\u003e\u003ch3\u003eGen 5 Color\u003c\/h3\u003e\u003cbr\u003eThe 6K G2 uses the same advanced Gen 5 color science as the Pocket 6K G2 Cinema Camera and URSA Mini Pro 12K cameras, making it easy to intercut 6K Pro, 6K, and BMPCC 4K footage.\u003cbr\u003e\u003ch3\u003eTilting 5\" LCD Touchscreen\u003c\/h3\u003e\u003cbr\u003eThe 5\" tilting HDR touchscreen LCD in Pocket 6K G2 Cinema Camera makes it easy to view and adjust your settings, even when shooting in high or low modes.\u003cbr\u003e\u003cstrong\u003eActive Canon EF Mount Pocket 6K G2 Cinema Camera\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003ePocket 6K G2 Cinema Camera you can Choose from a wide array of Canon EF\/EF-S-mount lenses\u003c\/li\u003e    \u003cli\u003eElectronic lens communication with iris, autofocus, and zoom control available with compatible lenses\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eBlackmagic Pocket 6K Mini-XLR Audio Inputs\u003c\/h3\u003e\u003cbr\u003eProfessional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.\u003cbr\u003e\u003ch3\u003eBlackmagic Pocket 6K L-Series Batteries Pocket 6K G2 Cinema Camera\u003c\/h3\u003e\u003cbr\u003eBoth the 6K G2 camera and the optional battery grip use widely available NP-F570 L-series batteries\u003cbr\u003e\u003ch3\u003eBlackmagic Raw and ProRes Recording\u003c\/h3\u003e\u003cbr\u003eCapture in Blackmagic Raw or ProRes 422 options, depending on your project's needs, and record using the internal CFast 2.0 and SD\/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming or output via the USB Type-C port to capture longer clips to an external SSD.\u003cbr\u003e\u003cstrong\u003eUp to 6K Shooting Resolutions\u003c\/strong\u003e\u003cbr\u003eMultiple resolutions include:\u003cbr\u003e\u003cul\u003e    \u003cli\u003e6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1)\u003c\/li\u003e    \u003cli\u003e5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI)\u003c\/li\u003e    \u003cli\u003e1920 x 1080 (HD)\u003c\/li\u003e    \u003cli\u003eBoth 2868 x 1512 (2.8K 17:9) and 1920 x 1080 (HD) at rates up to 120 fps\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cstrong\u003eVersatile Media Capture Options\u003c\/strong\u003e\u003cbr\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots or capture longer clips using the USB Type-C output to an external SSD\u003cbr\u003e\u003cstrong\u003eStudio Camera Features\u003c\/strong\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eLike the Blackmagic Studio cameras, the BMPCC 6K G2 Pocket 6K G2 Cinema Camera has a built-in color corrector that works with the ATEM Mini\u003c\/li\u003e    \u003cli\u003eSupports the optional pedestal-style focus and zoom controls\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eDaVinci Resolve Studio License Included\u003c\/h3\u003e\u003cbr\u003eThe 6K G2 is compatible with DaVinci Resolve and includes an activation key for Resolve Studio\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535107444876,"sku":"CINECAMPOCHDEF6K2","price":8078.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1656328551_IMG_1782613.jpg?v=1772744177"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro-canon-ef","title":"Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF)","description":"\u003ch3\u003eBlackmagic Design Pocket Cinema Camera 6K Pro (Canon EF)\u003c\/h3\u003e\r\r\u003cem\u003eTo top their previous achievement with the Pocket Cinema Camera 6K, \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e adds an even more full-featured, compact Super35 camera to their cine-style line with the \u003cstrong\u003ePocket Cinema Camera 6K Pro by Systec International.\u003c\/strong\u003e\u003c\/em\u003e\r\r\u003cem\u003e The 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness, a Pro EVF option, built-in clear\/2\/4\/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science.\u003c\/em\u003e\r\rWith only a slightly larger form factor than the 6L, the 6K Pro records the same resolutions up to 50 fps 6144 x 3456 video, and it retains the valuable active Canon EF mount, letting users take advantage of the expansive array of EF\/EF-S mount lenses available. The EF mount supports iris, autofocus, and zoom functions using electronic communication when using compatible lenses.\r\rThe 6K Pro can turn one frame into two by cropping a second shot from one frame, upscaling to 8K, or simply capturing rich, detailed footage with your favorite EF\/EF-S-mount lens. The updated Gen 5 internal color processing makes it easy to intercut 6K Pro, 6K, and BMPCC 4K footage.\r\r\u003cem\u003e Record using the internal CFast 2.0 and SD\/UHS-II card slots or via the full-size HDMI port to an optional ATEM Mini switcher for live streaming, or output via the USB Type-C port to capture longer clips to an external SSD. \u003c\/em\u003e\r\r\u003cem\u003eThe 6K Pro includes a DaVinci Resolve Studio license and supports Blackmagic Raw capture from the sensor. Using the Raw format with the sensor's metadata simplifies editing to suit any project and makes editing easier with DaVinci Resolve.\u003c\/em\u003e\r\rThe compact 6K Pro retains the familiar controls and menu layout of the 6K model, such as ISO support up to 25,600, 13 stops of dynamic range, and 1920 x 1080 HDR monitor output. Professional audio support now includes two mini XLR inputs with phantom +48V power, a 3.5mm stereo input, a mono speaker, a headphone output, and a built-in stereo mic system.\r\rAdditional pro features include lens metadata support, 3D LUT application for both monitoring and recording, up to 21.2MP still image capture, and a multifunction grip that enables single-handed operation.\r\rSync multiple cameras for a concert, event, or other multicamera shoots by linking an external timecode generator to the 6K Pro internal timecode generator (accessed via the 3.5mm audio port). Then save valuable time by using Resolve to automatically sync your multicamera shots in post.\r\rIn addition to the DaVinci Resolve Studio activation key, the 6K Pro comes with a 30W power supply offering simultaneous battery charging, an MP-F570 battery, a lens port cap, and a camera strap. Optional accessories designed specifically for the 6K Pro include the BMPCC Pro EVF and BMPCC Pro Battery Grip, available separately.\r\rTo know more about us, \u003ca href=\"https:\/\/systecintl.ae\"\u003eclick here.\u003c\/a\u003e\r\r\u003ch4\u003eNew 6K Pro Features\u003c\/h4\u003e\r\r5\" tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness\r\rBuilt-in clear\/2\/4\/6-stop IR ND filters\r\r\u003ch4\u003eDual mini-XLR inputs\u003c\/h4\u003e\r\rElectronic lens communication with iris, autofocus, and zoom control available with compatible lenses\r\rSuper-accurate timecode clock\r\rNP-F570 L-series battery slot\r\rUpdated Gen 5 color science\r\rOptional Pro EVF and battery grip\r\r\u003ch4\u003eFeatures\u003c\/h4\u003e\r\r\u003ch5\u003eActive Canon EF Lens Mount\u003c\/h5\u003e\r\rChoose from a wide array of Canon EF\/EF-S-mount lenses and automatically populate lens metadata with compatible lenses\r\r\u003ch4\u003eSuper35 Image Sensor \/ Dual Native ISO\u003c\/h4\u003e\r\rThe 6K Pro camera uses a Super35-size sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 50 fps\r\r\u003ch4\u003eBlackmagic Raw and ProRes Options\u003c\/h4\u003e\r\rCapture in Blackmagic Raw or ProRes 422 options depending on your project's needs\r\r\u003ch5\u003eUp to 6K Shooting Resolutions\u003c\/h5\u003e\r\rMultiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more\r\r\u003ch5\u003eVersatile Media Capture Options\u003c\/h5\u003e\r\rRecord internally to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB Type-C output to an external SSD\r\rDaVinci Resolve Studio License Included\r\rThe 6K Pro is compatible with DaVinci Resolve and includes an activation key for Resolve Studio\r\rYou can also visit \u003ca href=\"https:\/\/www.blackmagicdesign.com\/ae\"\u003ehere.\u003c\/a\u003e\r\r[caption id=\"\" align=\"alignnone\" width=\"1440\"]\u003cimg class=\"size-medium\" src=\"https:\/\/images.blackmagicdesign.com\/images\/products\/blackmagicpocketcinemacamera\/landing\/hero\/hero-en-xl.jpg?_v=1652932672\" alt=\"Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) by Systec International\" width=\"1440\" height=\"683\"\u003e Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF) by Systec International[\/caption]\r\r \r\r ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535116226700,"sku":"CINECAMPOCHDEF06P","price":10264.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Blackmagic-Design-Pocket-Cinema-Camera-6K-Pro-Canon-EF-005.jpg?v=1772744235"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-with-olpf","title":"Blackmagic Design URSA Mini Pro 12K with OLPF","description":"the Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera features a video recording up to 12K with the with OLPF from . This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K OLPF uses an optical low pass filter that minimizes unwanted image interference when shooting in virtual production environments and also offers updated IR filtering. The camera records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFast 2.0 card capture and high-speed USB-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.you can get it today from Systec International Blackmagic Design authorized reseller\u003cbr\u003e[caption id=\"attachment_11777\" align=\"alignnone\" width=\"300\"]\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/02\/pass-filter-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11777\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/02\/pass-filter-xl-300x138.webp\" alt=\"Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera\" width=\"300\" height=\"138\"\u003e\u003c\/a\u003e Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera[\/caption]\u003cbr\u003e\u003ch3\u003eGreat Filming Experience\u003c\/h3\u003e\u003cbr\u003eThe URSA Mini Pro 12K's Cinema Camera massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.\u003cbr\u003e[caption id=\"attachment_11779\" align=\"alignnone\" width=\"300\"]\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/02\/edit-ui-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11779\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/02\/edit-ui-xl-300x198.webp\" alt=\"Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera\" width=\"300\" height=\"198\"\u003e\u003c\/a\u003e Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera[\/caption]\u003cbr\u003e\u003ch3\u003eURSA Mini Pro 12K best Cinematic Scenes by the 12K Super 35 Sensor\u003c\/h3\u003e\u003cbr\u003eThe URSA Mini Pro 12K's new Super35 sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This Super35 sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K Super35 sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.\u003cbr\u003e\u003ch3\u003eGreat for Virtual Cinema Production\u003c\/h3\u003e\u003cbr\u003eThe URSA Mini Pro 12K OLPF Cinema Camera adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.get it today from Systec International\u003cbr\u003e\u003ch3\u003eIn URSA Mini Pro 12K Cinema Camera Choose between PL mount Lenses and Ef Mount Lenses\u003c\/h3\u003e\u003cbr\u003eThe front of the URSA Mini Pro 12K Cinema Camera Super35 sensor sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers.Canon EF and Nikon F mounts are available separately for shooters who have their own glass.\u003cbr\u003e\u003ch3\u003eURSA Mini Pro 12K Generation 5 Color Science\u003c\/h3\u003e\u003cbr\u003eThe Gen 5 color science's new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K's Super35 sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.\u003cbr\u003eyou can get it today from Systec International Blackmagic Design authorized reseller\u003cbr\u003e[caption id=\"attachment_11778\" align=\"alignnone\" width=\"300\"]\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/02\/cinematic-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11778\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/02\/cinematic-xl-300x121.webp\" alt=\"Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera\" width=\"300\" height=\"121\"\u003e\u003c\/a\u003e Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera[\/caption]\u003cbr\u003e \u003cbr\u003e\u003ch3\u003eBlackmagic RAW using 12-Bit Raw Workflow\u003c\/h3\u003e\u003cbr\u003eA new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.\u003cbr\u003eyou can get it today from Systec International Blackmagic Design authorized reseller\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.ae\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003ca href=\"https:\/\/systecintl.com\"\u003eVisit us\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535184253068,"sku":"CINEURSAMUPRO12KOLPF","price":25852.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Blackmagic-Design-URSA-Mini-Pro-12K-with-OLPF.jpg?v=1772744575"},{"product_id":"sony-fx3-full-frame-cinema-camera","title":"Sony FX3 Full-Frame Cinema Camera","description":"\u003ch3\u003eSony FX3 Overview\u003c\/h3\u003e\u003cbr\u003e\u003ch4\u003eSony FX3 Blends Cinema Line and Alpha Systems\u003c\/h4\u003e\u003cbr\u003eWith a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 ILME-FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design offering the ability to secure various accessories directly to the camera body.Firmware Update v.2.0With firmware update 2.0, Sony aligns the Sony FX3 ILME-FX3 more closely with its Cinema Line workflow. Updates include advanced log shooting choices, including Cine EI options, the ability to import user LUTs, timecode syncing via an optional cable, and an easier-to-operate camera interface.When updating from v.1.01 or earlier:\u003cbr\u003eNote your chosen settings before updating since the process will initialize the camera and will be unable to read saved settings from v.1.01S-Log2 will no longer be included; you must use S-Log3Connecting to the Imaging Edge Mobile app has been made easier (see Smartphone Registration in the Help Guide); this requires updating the Mobile app to v. 7.7 or later and registering the camera as new.Note that the NFC one-touch connection function will no longer be availableExpressive UHD 4K Video Capture\u003cbr\u003eCinematic Expression_RC of Sony FX3 ILME-FX3The Sony FX3 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than-15-stop dynamic range for working in mixed lighting conditions. Benefitting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003cbr\u003e4K Full-Frame CMOS Exmor R Sensor of Sony FX3 ILME-FX3Stunning Bokeh_RCA Sony FX3 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 ILME-FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.S-Cinetone Color\u003cbr\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3's default S-Cinetone color setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and color matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.Video Recording\u003cbr\u003eSony FX3 ILME-FX3 Capture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit color with All-Intra and Long GOP codecs.Cooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60Dual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recordingSuper35 1080p capture at rates up to 240pSteady Focus\u003cbr\u003eSolo Shooting_RCSony FX3 Now even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms plus a simple touchscreen focus function.Seven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.Fast Hybrid AF uses 627 points to cover approximately 89% of the image frameErgonomic Form for Solo Operation\u003cbr\u003eEssential Controls_RC of Sony FX3The Sony FX3 cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or on the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.Easily Viewable Tally LightsExpandability_RCTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording, enabling accurately timed movements and dialogue delivery.\u003cbr\u003eQuality Audio Options\u003cbr\u003ePro audio recording options include:A detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputsA mic holder and a 3.5mm input for adding a microphoneUp to 4-channel, 24-bit audio recordingRemote Control, Streaming, and Transfers\u003cbr\u003eRemote Control_RCControl your FX3 remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB Type-C connector to let your editor get a jump on post-production. You can also stream your content using your computer and the Imaging Edge Webcam app.Post-Production Stabilization with E-Mount LensesSony's Catalyst Prepare\/Browse software uses shake metadata to stabilize your imageAn adjustable balance between shake compensation and image area trimming lets you fine-tune the imageImproved FX3 FeaturesLCD Touch Panel_RCThe FX3 updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.Common FX3\/FX6\/a7S III Features\u003cbr\u003eLike the FX6 and the a7S III, the FX3 features:Full-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processorHigh-speed rates of 120p in 4K and 240p in HDA dynamic range of 15+ stopsShared FX3\/FX6 AttributesAttributes that the FX3 has in common with the larger FX6 camera include:S-Cinetone, S-Log3, HLG, and Rec. 709 gamma optionsTally lamps on the front, side, and rearAn internal fan to prevent overheatingA zoom lever for easy frame adjustmentsShared FX3\/a7S III Attributes\u003cbr\u003eMobility_RCAttributes that the FX3 shares with the a7S III include:5-axis in-body image stabilization16-bit raw output via HDMIS-Log2 gamma choice80 to 409,600 ISO range (expanded)Wireless ConnectivityDual-band 2.4\/5 GHz wireless connectivityWired LAN link using the USB Type-C port and a separate adapter\u003cbr\u003eWith a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera.\u003cbr\u003eThe FX3 features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design offering the ability to secure various accessories directly to the camera body.\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.ae\/contact-us\/\"\u003econtact us\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.com\"\u003eVisit us\u003c\/a\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46535189987468,"sku":"ILME-FX3","price":13499.0,"currency_code":"AED","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/ILME-FX3.jpg?v=1772744627"},{"product_id":"blackmagic-design-cinema-camera-6k-leica-l","title":"Blackmagic Design Cinema Camera 6K (Leica L)","description":"\u003ch1\u003eBlackmagic Design Announces New Blackmagic Cinema Camera 6K\u003c\/h1\u003e\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eBlackmagic Design introduced the Blackmagic Cinema Camera 6K in IBC 23’, Amsterdam, Netherlands - September 15, 2023, a cutting-edge digital film camera featuring a full-frame 6K sensor, an impressive dynamic range of 13 stops, an L-Mount lens mount, and dual native ISO capabilities reaching up to 25,600, delivering exceptional low-light performance. It also allows for recording onto CFexpress cards. This new model boasts a sizable 24 x 36mm 6K sensor, enabling cinema-quality images in a compact and lightweight body. The Blackmagic Cinema Camera 6K utilizes an L-Mount lens system, compatible with a wide array of both modern and vintage lenses, offering greater creative flexibility.\u003c\/p\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eThe new Blackmagic Cinema Camera 6K produces exceptional quality and is known for its ability to deliver precise skin tones and vibrant, natural colors. This camera boasts an expansive full-frame 24 x 36mm 6K sensor with an impressive dynamic range, a versatile L-Mount for lens compatibility, and a custom-designed optical low-pass filter perfectly matched to the sensor. Additionally, users benefit from the inclusion of high-speed CFexpress media support, with the added convenience of compatibility with Pocket Cinema Camera accessories. Notably, for tasks involving cloud and mobile applications, this camera simultaneously records both high-bit-depth Blackmagic RAW and H.264 proxies, a feature that sets it apart from any other camera in terms of technology, image quality, and portability.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eProcessor\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eThe Blackmagic Cinema Camera 6K boasts an expansive full-frame sensor with a native resolution of 6048 x 4032 pixels. This is nearly three times larger than a Super 35 sensor, granting users the ability to achieve a shallow depth of field and utilize anamorphic lenses without any cropping, resulting in a truly cinematic aesthetic. Whether shooting in bright daylight or challenging low-light conditions, the camera's 13 stops of dynamic range, coupled with dual native ISO settings of up to 25,600, deliver impeccable, low-noise images.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eFPS and Ratio\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eFurthermore, users can capture footage at up to 36 frames per second at the full sensor resolution or 120 fps in a windowed mode. The substantial full-frame sensor of the Blackmagic Cinema Camera 6K provides flexibility when working with various film formats and aspect ratios, all without compromising on image quality. Utilizing the entire sensor area allows for a distinctive open gate 3:2 image, facilitating post-production reframing options. Additionally, the generous sensor size enables seamless 6:5 anamorphic shooting without any cropping, resulting in highly detailed widescreen cinematic imagery.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eFor added versatility, users can employ the Super 35-sized sensor window to instantly create \"close-up\" shots that seamlessly blend with open gate footage. These capabilities empower content creators to produce unique cinematic content of the utmost quality.\u003c\/p\u003e\r\u003cp\u003eGET Blackmagic Design in Dubai FROM SYSTEC INTERNATIONAL \u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eMount Details\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eThe Blackmagic Cinema Camera 6K comes equipped with an L-Mount, a sophisticated lens mounting system designed to accommodate full-frame sensors while ensuring compatibility with both new and vintage lenses. The L-Mount boasts a generous diameter of 51.6mm, making it compatible with the latest full-frame lenses from renowned manufacturers like Leica, Panasonic, and Sigma. Furthermore, its remarkably short flange distance of only 20mm enables users to effortlessly attach adapters for various lens mounts without compromising image quality. The L-Mount offers users a versatile solution, allowing them to use a single mount with virtually any lens, providing them with endless creative possibilities.\u003c\/p\u003e\r\u003cp\u003eInquire about Blackmagic Design in Dubai from Systec international \u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eResolution\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eIn terms of its imaging capabilities, the Blackmagic Cinema Camera 6K is versatile, supporting a wide range of standard resolutions and frame rates, ranging from HD to DCI 4K and even 6K. Users can also capture high-resolution still images at 24.6 megapixels. This camera can achieve a maximum of 36 fps at 6048 x 4032 in the 3:2 open gate format, or 60 fps at 6048 x 2520 in the 2.4:1 aspect ratio, and 60 fps at 4096 x 2160 in 4K DCI. For even higher frame rates, users can opt to crop the sensor and capture footage at up to 100 fps at 2112 x 1184 in Super 16 format. Additionally, the camera supports true anamorphic 6:5 shooting at significantly higher resolutions compared to other cameras, specifically in 4.8K at 24 fps with a resolution of 4838 x 4032. It's also capable of recording at 120 fps in 1080HD resolution.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eFile Recording in Blackmagic Cinema Camera 6k\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eThe Blackmagic Cinema Camera 6K comes with an integrated CFexpress card recorder and a USB-C expansion port for direct recording onto external flash media disks or an SSD. CFexpress media offers enhanced durability and faster performance compared to older media, making it an excellent choice for recording full-resolution, 12-bit Blackmagic RAW files. Just think about the possibility of capturing more than an hour's worth of full-resolution 6K images on a single 256GB CFexpress card.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eScreens and Monitors\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eFurthermore, the Blackmagic Cinema Camera 6K boasts a spacious and vivid 5-inch HDR touchscreen, simplifying the process of framing shots and achieving precise focus, regardless of the shooting conditions. The on-screen overlays provide valuable information such as status and recording parameters, histogram, focus peaking indicators, levels, frame guides, and more. Users can swiftly apply 3D LUTs to monitor shots with their desired colors and aesthetics. Additionally, the LCD monitor is adjustable, allowing it to be tilted up to 180 degrees flat and down to 47 degrees, ensuring convenient monitoring from virtually any angle. Moreover, the HDR display delivers an impressive brightness of 1500 nits, ensuring that users can always frame their shots accurately, even in bright sunlight.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eOptical Finder in Blackmagic Cinema Camera 6k\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eThe Blackmagic Cinema Camera 6K offers support for an optional viewfinder, which greatly enhances the accuracy and convenience of shooting outdoors and handheld. This feature provides customers with an integrated, high-quality 1280 x 960 color OLED display equipped with a built-in proximity sensor. Additionally, it includes a 4-element glass diopter that ensures exceptional precision, allowing for a wide focus adjustment range from -4 to +4. Connecting the EVF to the Blackmagic Cinema Camera 6K is a breeze, as it securely attaches to the camera's top with a single screw.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eBattery and Power\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eFor power, the Blackmagic Cinema Camera 6K relies on high-capacity NP-F570 batteries. These batteries come with a locking DC power connector, offering peace of mind during shoots by eliminating concerns about unexpected power loss. Furthermore, the included AC plug pack serves a dual purpose—it can power the camera directly or charge the battery when the camera is not in use. Even the USB-C expansion port can provide a slow but steady charge to the battery, allowing customers to utilize portable battery packs, mobile phone chargers, or laptops. Additionally, the optional battery grip offers the flexibility to add extra batteries, significantly extending the camera's runtime, enabling customers to shoot all day long.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eGrant Petty, the CEO of Blackmagic Design, shared insights about the Blackmagic Cinema Camera 6K, stating their intention to create a highly portable camera tailored for top-tier, large-format cinematography. The approach involved a complete overhaul of the internal electronics around a full-frame sensor and L-Mount, while leveraging the Pocket Cinema Camera platform. This innovative design delivers exceptional large-format imagery within an impressively portable form factor, ensuring compatibility with existing accessories. The incorporation of the L-Mount also opens up exciting creative possibilities, such as the use of the latest Leica lenses or the reinterpretation of vintage lenses owned by customers. The Blackmagic Cinema Camera 6K stands as a genuine high-end cinema camera crafted for professional work, offering filmmakers a fresh perspective to convey their narratives.\u003c\/p\u003e\r\u003cp\u003eBlackmagic Design in Dubai is represented by Systec international in UAE  middle east and Africa market \u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:image {\"id\":9613,\"sizeSlug\":\"full\",\"linkDestination\":\"media\"} --\u003e\r\u003cfigure class=\"wp-block-image size-full\"\u003e\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2023\/09\/1-blackmagic-cinema-camera-6k-copy-2.webp\"\u003e\u003cimg class=\"alignnone wp-image-9613\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2023\/09\/1-blackmagic-cinema-camera-6k-copy-2.webp\" alt=\"Blackmagic Cinema Camera 6K\rBlackmagic Design in Dubai\" width=\"700\" height=\"500\"\u003e\u003c\/a\u003e\u003c\/figure\u003e\r\u003c!-- \/wp:image --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003eBlackmagic Cinema Camera 6K Features\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:list --\u003e\r\u003cul\u003e\n\u003c!-- wp:list-item --\u003e\r\u003cli\u003e36 x 24mm full frame 6K 6048 x 4032 sensor.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eOpen gate 3:2, full height 6:5 anamorphic and Super 35 for creating cinematic content.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eL-Mount compatible with a wide range of still photography and cinema lenses.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eRecords full resolution up to 36 fps or 120 fps windowed.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eExtremely fast CFexpress card recording.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eAdjustable, HDR 1500 nit LCD screen.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eOptional Blackmagic Pocket Cinema Camera Pro EVF.\u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\r\r\u003c!-- wp:list-item --\u003e\r\u003cli\u003eLarger NP-F570 battery, optional Blackmagic Pocket Camera Battery Pro Grip.\u003c\/li\u003e\r\u003cli\u003eSystec international has a shop for Blackmagic Design in Dubai \u003c\/li\u003e\r\u003c!-- \/wp:list-item --\u003e\n\u003c\/ul\u003e\r\u003c!-- \/wp:list --\u003e\r\r\u003c!-- wp:heading --\u003e\r\u003ch2 class=\"wp-block-heading\"\u003ePrice of Blackmagic Cinema Camera 6k\u003c\/h2\u003e\r\u003c!-- \/wp:heading --\u003e\r\r\u003c!-- wp:paragraph --\u003e\r\u003cp\u003eBlackmagic Design in Dubai is available now for AED 10,506, excluding VAT, from Blackmagic Design resellers worldwide.\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e\r\r\u003c!-- wp:paragraph {\"style\":{\"typography\":{\"fontSize\":\"19px\"}}} --\u003e\r\u003cp\u003eFind our store: \u003ca title=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\" href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\" target=\"_blank\" rel=\"noopener\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e Read the blog here: \u003ca href=\"https:\/\/systecintl.ae\/blackmagic-design-announces-new-blackmagic-cinema-camera-6k\/\"\u003ehttps:\/\/systecintl.ae\/blackmagic-design-announces-new-blackmagic-cinema-camera-6k\/\u003c\/a\u003e\u003c\/p\u003e\r\u003c!-- \/wp:paragraph --\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535197098124,"sku":"BLCC6K","price":10506.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/For-website-copy-1.webp?v=1772744684"},{"product_id":"canon-eos-c70-cinema-camera-rf-mount","title":"Canon EOS C70 Cinema Camera (RF Mount)","description":"","brand":"Canon","offers":[{"title":"Default Title","offer_id":46535197786252,"sku":"4507C002","price":17500.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1600933654_IMG_1421906.webp?v=1772744698"},{"product_id":"blackmagic-ursa-cine-12k-camera-pl-mount","title":"Blackmagic URSA Cine 12K Camera (PL Mount)","description":"\u003ch1\u003eBlackmagic Ursa Cine 12K overview\u003c\/h1\u003e\u003cbr\u003eAchieve an authentic cinematic experience with the revamped Blackmagic URSA Cine 12K Camera. The updated model boasts a stunning 12K full-frame 36 x 24mm sensor, promising a true cinematic look and feel. With an advertised dynamic range of 16 stops and the ability to capture Blackmagic raw footage up to 12K 3:2 open gate, this camera delivers exceptional quality. Additionally, it offers Wi-Fi and SRT live streaming capabilities, integrated ND filters, LEMO and Fischer standard control\/power connections, high-speed networking for cloud storage and M.2 SSD media, and comes with a standard PL mount as default.\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/body-lg-.webp\"\u003e\u003cimg class=\"wp-image-11883 size-large alignleft\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/body-lg--1024x506.webp\" alt=\"Blackmagic Ursa Cine 12K Ursa Cine 12K Ursa Cine \" width=\"1024\" height=\"506\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003ePurpose-Built Camera Body of Blackmagic Ursa Cine 12K for Professional Productions\u003c\/h2\u003e\u003cbr\u003eCrafted for the demands of professional productions, the Blackmagic Ursa Cine 12K features a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin. Its backlit soft-touch buttons ensure effortless operation in any lighting condition. Efficient on-set work is facilitated with multiple monitoring options, including a fold-out monitor with a 5” HDR touchscreen and an external color status LCD. A dedicated assist station features a second 5” HDR touchscreen, enabling crew members to operate around the camera without external monitors. Rugged industry-standard connections, such as 7-pin Lemo and 3-pin Fischer, along with 10G Ethernet, ensure seamless integration into high-end cinema production workflows.\u003cbr\u003e\u003ch2\u003eLarge Format Sensor and Interchangeable Lens Mounts on Blackmagic Ursa Cine 12K\u003c\/h2\u003e\u003cbr\u003eThe large format sensor of the Blackmagic Ursa Cine 12K offers unmatched flexibility in aspect ratios, lens choices, and delivery formats. From open gate for post-production reframing to anamorphic for various aspect ratios, users can achieve cinematic excellence effortlessly. Interchangeable lens mounts, including PL, LPL, EF, and Hasselblad, cater to diverse shooting needs, ensuring compatibility with a wide array of professional lenses.\u003cbr\u003e\u003ch2\u003eHigh Resolution Monitoring, Camera Control and Optical Low Pass Filter\u003c\/h2\u003e\u003cbr\u003ePowered by Blackmagic RAW, the Ursa Cine 12K captures and preserves sensor data quality, ensuring image consistency from set to post-production. With constant quality and constant bitrate encoding options, users can tailor compression to match scene detail while maintaining predictable file sizes. The incorporation of an optical low pass filter minimizes interference and enhances color accuracy, preserving critical image detail for unparalleled image capture.\u003cbr\u003e\u003ch2\u003eRefined Color-Balanced ND Filters of Blackmagic Ursa Cine 12K\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K comes equipped with advanced ND filters, enabling swift adjustment of incoming light levels. These filters are meticulously calibrated to harmonize with the camera's colorimetry and color science, ensuring adaptability in challenging lighting scenarios. Unlike typical ND filters, the IR filters integrated into the Ursa Cine 12K are engineered to uniformly filter both optical and IR wavelengths, eradicating IR contamination. With a precision mechanism, users can effortlessly engage the ND filters using the dial, with settings conveniently displayed on the LCD screen.\u003cbr\u003e\u003ch2\u003eExpanded Full Frame Capture with Enhanced Frame Rates\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Ursa Cine 12K offers a wide range of resolution and frame rate options, supporting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and up to an exceptionally detailed 12K. Capture capabilities include 100 fps in 12K 17:9 aspect ratio or 120 fps in 12K 2.4:1 widescreen format.\u003cbr\u003eFor even higher frame rates, users can achieve 144 fps in 8192 x 5360 resolution or 180 fps in 8192 x 3408 resolution. The camera delivers fluid motion rendering with enhanced sharpness in 8K and 4K resolutions, even at lower frame rates. With a remarkable 100 megapixels per frame at 80 fps in Blackmagic RAW format, the Ursa Cine 12K enables simultaneous capture of exceptional stills and motion shots.\u003cbr\u003e\u003ch2\u003eCutting-Edge Internal Media Storage Solutions for Blackmagic Ursa Cine 12K\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K introduces innovative Cloud Store technology within the camera, offering lightning-fast and high-capacity recording capabilities. The Blackmagic Media Module boasts robustness and includes a generous 8TB storage capacity, functioning similar to a compact Cloud Store Mini integrated directly into the camera. This high-speed storage solution enables recording at the highest resolutions and frame rates for extended durations, with seamless file access via high-speed 10G Ethernet connectivity. Alternatively, users can utilize their existing media with the optional Blackmagic Media Module CF, featuring dual CFexpress slots. The module can be easily detached for media transfer to a network or Blackmagic Cloud, facilitating effortless global collaboration.\u003cbr\u003e\u003ch2\u003eRecord Stunning High-Definition Footage Using the Complete 12K Open Gate Sensor\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic Ursa Cine 12K boasts a resolution of 12,288 x 8040 @ 24fps. Blackmagic RAW offers the flexibility of constant quality and constant bitrate encoding, allowing you to prioritize image quality or file size based on your production requirements.\u003cbr\u003e\u003ch2\u003eCompatible With Standard Industry Power Sources and Batteries\u003c\/h2\u003e\u003cbr\u003eFeaturing an 8-pin Lemo power connector at the rear, the Ursa Cine 12K is compatible with both 24V and 12V power supplies, seamlessly integrating with existing power setups, batteries, and accessories. Additionally, the camera's front hosts extra Lemo and Fischer connectors for powering accessories like lens motors. The Ursa Cine 12K package includes a sturdy 250W power supply and B Mount battery plate, enabling the use of various high voltage batteries from leading manufacturers such as IDX, Blueshape, Core SWX, and BEBOB. Furthermore, optional Blackmagic Ursa Cine 12K VLock Battery Plate or Blackmagic Ursa Cine 12K Gold Battery Plate can be added for compatibility with legacy V-Mount and Gold Mount batteries.\u003cbr\u003e\u003ch2\u003eManage Blackmagic Ursa Cine 12K Wirelessly via Bluetooth\u003c\/h2\u003e\u003cbr\u003eFor convenient wireless camera control, the Ursa Cine 12K offers Bluetooth connectivity, enabling full control from up to 30 feet away. Users can utilize the Blackmagic Camera Control app on their iPad or opt for third-party apps like Bluetooth+ or tRigger on both iOS and Android devices. Moreover, Blackmagic Design provides a free developer SDK with sample code on their website, empowering users to create custom remote camera control and digital slate solutions. Consider the potential of developing an app capable of synchronizing timecode and triggering all cameras to record simultaneously. With limitless possibilities, the Ursa Cine 12K paves the way for innovative filmmaking techniques.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003eRead blog: \u003ca href=\"https:\/\/systecintl.ae\/introducing-the-latest-blackmagic-ursa-cine-12k\/\"\u003ehttps:\/\/systecintl.ae\/introducing-the-latest-blackmagic-ursa-cine-12k\/\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535203029132,"sku":"BMD-CINEURSAA12KLF","price":60702.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1712933427_1823587.webp?v=1772744747"},{"product_id":"blackmagic-design-ursa-cine-12k-camera-with-evf-top-handle-kit-pl-mount","title":"Blackmagic Design URSA Cine 12K Camera with EVF Top Handle Kit (PL Mount)","description":"\u003ch1\u003eBlackmagic URSA Cine 12K Camera with EVF Top Handle Kit, latest Innovation in Digital Film Cameras!\u003c\/h1\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit heralds a revolutionary advancement in digital film technology. It pioneers high-speed networking for on-set media sync and boasts fast, high-capacity storage capabilities. Featuring a cutting-edge large format RGBW 36 x 24mm sensor and versatile lens mount options—including PL, LPL, EF, and Hasselblad. The Ursa Cine 12K offers unmatched dynamic range and adaptability. Furthermore, its WiFi functionality with SRT streaming enables remote client viewing. On the other hand industry-standard Lemo and Fischer connections ensure compatibility with premium cinema production setups.\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl-2.webp\"\u003e\u003cimg class=\"alignleft wp-image-11879 size-large\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl-2-1024x512.webp\" alt=\"Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\" width=\"1024\" height=\"512\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003eCinematic Large Format Sensor of Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K showcases an innovative sensor design promising exceptional image quality across resolutions from 4K to an impressive 12K. Leveraging technology from the URSA Mini Pro 12K. The larger sensor features larger photo sites, delivering an extraordinary 16 stops of dynamic range. With a unique RGBW architecture, characterized by equal proportions of red, green, and blue pixels. It optimizes color reproduction and image quality, offering richer colors and enhanced flexibility. In-sensor scaling enables capturing more detail and wider dynamic range without cropping, ensuring superior image fidelity across all resolutions.\u003cbr\u003e\u003ch2\u003eTailored Camera Body for Professional Productions\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit combines an evenly weighted magnesium alloy chassis with a lightweight carbon fiber polycarbonate composite skin for durability and portability. Backlit soft-touch buttons ensure effortless operation in any lighting condition, while the 5” fold-out touchscreen and dedicated assist station provide convenient access to camera settings and controls. Standard connectors, including Lemo and Fischer, facilitate remote camera operation and power supply for accessories, complemented by 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003e\u003c\/h2\u003e\u003cbr\u003e\u003ch2\u003eUnmatched Flexibility with Large Format Sensor\u003c\/h2\u003e\u003cbr\u003eThe large format sensor of the Ursa Cine 12K offers unparalleled flexibility in aspect ratios, lens choices, and delivery formats. Whether capturing in open gate for post-production reframing or shooting anamorphic for various aspect ratios—including 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors—users can achieve cinematic excellence effortlessly. Additionally, shooting in 4K, 8K, or 12K without cropping ensures compatibility with a wide range of lenses, including classic cinema lenses in 9K Super 35 4-perf, 3-perf, and 2-perf modes, facilitating the creation of distinctive content in the highest quality possible.\u003cbr\u003e\u003ch2\u003eInterchangeable Lens Mounts\u003c\/h2\u003e\u003cbr\u003eFor versatile shooting needs, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit offers interchangeable lens mounts, enabling swift switching between PL, LPL, EF, and Hasselblad mounts. This versatility accommodates PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, ensuring compatibility with a wide array of professional lenses. Each mount features contact pins to read lens metadata for monitoring and post-production use, granting the freedom to select the ideal lens for any project.\u003cbr\u003e\u003ch2\u003eHigh-Resolution Monitoring and Camera Control\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit facilitates efficient on-set work with multiple monitoring options. Its fold-out monitor features a generous 5\" HDR touchscreen on one side and an external color status LCD on the other. The screen can be rotated and folded back into the camera for convenience. Additionally, a dedicated assist station on the camera's right side features a second 5\" HDR touchscreen, enabling crew members to operate around the camera without requiring external monitors. With a 1500 nit display and removable sunshade, visibility is ensured even in bright sunlight. On-screen overlays display status and record parameters, histogram, frame guides, and more, including a dedicated focus puller's mode for achieving perfect focus.\u003cbr\u003e\u003ch2\u003eRugged Industry Standard Connections of Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eWith a wide range of industry-standard connections, the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit is tailored for high-end cinema production. 7-pin Lemo and 3-pin Fischer connectors at the front provide record start\/stop and 24V power, ideal for onboard accessories like focus motors. Camera power is supplied through a standard 24V 8-pin Lemo connection, complemented by an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. This setup enables powering accessories directly from the camera, eliminating messy external cabling. Additionally, two independent 12G-SDI outputs allow monitoring on two different monitors with distinct overlays, and 10G Ethernet facilitates Blackmagic Cloud media syncing.\u003cbr\u003e\u003ch2\u003eIntegrated Optical Low Pass Filter (OLPF)\u003c\/h2\u003e\u003cbr\u003eIn an age where modern lenses and high-resolution sensors grapple with interference patterns arising from synthetic materials such as fabrics or LED matrices, the Ursa Cine 12K stands as a bastion of clarity. Integrating a precisely tailored optical low pass filter (OLPF), the camera minimizes interference, effectively mitigating moiré and aliasing. Augmented by updated IR filtering, the Ursa Cine 12K enhances far-red color response, thereby preserving color accuracy and vital image detail when coupled with Blackmagic RAW processing.\u003cbr\u003e\u003ch2\u003eSeamless Integration of Color Balanced ND Filters\u003c\/h2\u003e\u003cbr\u003eEquipped with premium ND filters, the Ursa Cine 12K boasts swift light level adjustment capabilities. These filters, meticulously calibrated to harmonize with the camera's colorimetry and color science, deliver unrivaled flexibility even in the most challenging lighting conditions. Unlike conventional ND filters, the IR filters in the Ursa Cine 12K uniformly filter both optical and IR wavelengths, effectively eliminating IR contamination. Featuring a precision mechanism, the ND filters can be swiftly engaged via the dial, with settings prominently displayed on the LCD for user convenience.\u003cbr\u003e\u003ch2\u003eFull Frame Capture with Enhanced Frame Rates of Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit epitomizes versatility, offering an extensive array of resolution and frame rate options. From standard resolutions to an incredibly detailed 12K, the camera delivers an unparalleled visual feast. Capture options include 100 fps in 12K 17:9 or 120 fps in 12K 2.4:1 widescreen, further extending to 144 fps in 8192 x 5360 or 180 fps in 8192 x 3408. Ensuring smooth motion rendering with sharper edges, the Ursa Cine 12K excels in 8K and 4K, even at lower frame rates. With up to 100 megapixels per frame at 80 fps in Blackmagic RAW, the camera seamlessly bridges the realms of impeccable stills and motion shots.\u003cbr\u003e\u003ch2\u003eHigh-Performance Internal Media Storage of Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K revolutionizes internal media storage with its innovative Cloud Store technology. Encased within the rugged Blackmagic Media Module, this groundbreaking solution offers ultra-fast and high-capacity recording capabilities, akin to a Cloud Store Mini embedded within the camera. Boasting a generous 8TB storage capacity, the module facilitates recording at the highest resolutions and frame rates for extended durations. Providing direct file access via high-speed 10G Ethernet, the Blackmagic Media Module ensures seamless global collaboration. Alternatively, users can opt for the Blackmagic Media Module CF, featuring dual CFexpress slots, and easily transfer media for network or Blackmagic Cloud integration.\u003cbr\u003e\u003ch2\u003eCaptivating High-Resolution Footage With the Full 12K Open Gate Sensor\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K empowers filmmakers to explore uncharted visual territories with its breathtaking 12,288 x 8040 resolution at 24fps. Blackmagic RAW bestows the creative freedom to prioritize image quality or file size, aligning with diverse production requirements.\u003cbr\u003e\u003ch2\u003eStay Connected Anywhere with Versatile Connectivity Options\u003c\/h2\u003e\u003cbr\u003eWith the Blackmagic URSA Cine 12K Camera with EVF Top Handle Kit, geographic barriers dissolve as filmmakers seamlessly connect to the world. Whether live streaming or uploading to Blackmagic Cloud, the camera's USB-C port facilitates internet access via Apple or Android phones, supporting both 5G and 4G networks. Alternatively, high-speed WiFi or wired Ethernet connectivity via the 10G Ethernet port ensures uninterrupted access. With built-in live streaming capabilities, the Ursa Cine 12K fosters global collaboration and enhances post-production workflows.\u003cbr\u003e\u003ch2\u003eCompatible With Standard Industry Batteries and Power Sources\u003c\/h2\u003e\u003cbr\u003eThe Ursa Cine 12K adapts effortlessly to existing power setups, offering an 8-pin Lemo power connector compatible with 24V and 12V power supplies. Front-end Lemo and Fischer connectors cater to powering accessories like lens motors, providing unparalleled versatility. The package includes a robust 250W power supply and B Mount battery plate, supporting high voltage batteries from leading manufacturers such as IDX, Blueshape, Core SWX, and BEBOB. Moreover, optional Blackmagic Ursa Cine 12K VLock Battery Plate or Blackmagic Ursa Cine 12K Gold Battery Plate expand compatibility with legacy V-Mount and Gold Mount batteries.\u003cbr\u003e\u003ch2\u003eBlackmagic URSA Cine 12K Camera with EVF Top Handle Kit Effortless Wireless Camera Control with Bluetooth\u003c\/h2\u003e\u003cbr\u003eFor seamless wireless camera control, the Ursa Cine 12K offers Bluetooth connectivity, enabling full control from up to 30 feet away. Whether utilizing the Blackmagic Camera Control app on an iPad or third-party apps like Bluetooth+ or tRigger on iOS and Android devices, users can wield complete command. Furthermore, Blackmagic Design provides a free developer SDK with sample code, empowering users to craft custom remote camera control and digital slate solutions. Envision the possibilities of synchronizing timecode and triggering simultaneous recording across multiple cameras—an innovation enabled by the limitless potential of the Ursa Cine 12K.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003eRead blog: \u003ca href=\"https:\/\/systecintl.ae\/introducing-the-latest-blackmagic-ursa-cine-12k\/\"\u003ehttps:\/\/systecintl.ae\/introducing-the-latest-blackmagic-ursa-cine-12k\/\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535203094668,"sku":"BMD-CINEURSAA12KLF\/EVF","price":66774.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1712934125_IMG_2231873_78b4d70a-8ac4-4d5f-a51d-c869a83f3027.webp?v=1772744747"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-arri-pl","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (ARRI PL)","description":"The Blackmagic PYXIS 6K Cinema Box Camera (ARRI PL) leverages the digital film advancements of the Blackmagic D\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11912 alignright\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl-300x148.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"148\"\u003e\u003c\/a\u003eesign Cinema Camera 6K, transforming it into a box-style cinema camera featuring a lockable ARRI PL lens mount and customizable side plates. Its full-frame 6K sensor captures vibrant colors, precise skin tones, and an impressive 13-stop dynamic range across its expanded 36 x 24mm sensor. You can record both Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your preferred social media platform using Ethernet or mobile 4G\/5G technology. With the PYXIS, you can shoot up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003cbr\u003e\u003ch2\u003eCrafted for Ultimate Customization!\u003c\/h2\u003e\u003cbr\u003ePYXIS boasts a compact frame meticulously crafted from aerospace-grade aluminum using precision CNC machining techniques. This ensures it remains lightweight yet exceptionally durable. Versatility is at your fingertips as you seamlessly affix it to various camera setups including cranes, gimbals, or drones. Beyond its array of 1\/4? and 3\/8? thread mounts on the body's top and bottom, Blackmagic PYXIS introduces an assortment of side plates, amplifying your capacity to attach peripherals like handles, microphones, or SSDs.\u003cbr\u003e \u003cbr\u003e\u003ch2\u003eExpansive Cinematic Digital Film Sensor!\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS showcases an expansive full-frame sensor boasting a native resolution of 6048 x 4032. This exceeds the dimensions of a Super 35 sensor nearly threefold, granting you the freedom to capture footage with a shallow depth of field or utilize anamorphic lenses without cropping, thus achieving an authentic cinematic aesthetic. Irrespective of\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/sensor-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11913 alignright\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/sensor-xl-300x123.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"123\"\u003e\u003c\/a\u003e shooting conditions, its 13 stops of dynamic range, coupled with dual native ISO up to 25,600, ensure impeccable low-noise images. Moreover, you can achieve frame rates of up to 36 fps at full sensor resolution or 120 fps in windowed mode. Leveraging this remarkable sensor alongside Blackmagic's renowned color science empowers you with professional-grade imaging technology akin to high-end digital cinema cameras.\u003cbr\u003e\u003ch2\u003eFull-Fledged Frame Flexibility of Blackmagic PYXIS 6K\u003c\/h2\u003e\u003cbr\u003eThe substantial full-frame sensor in Blackmagic PYXIS offers versatility across various film formats and aspect ratios without compromising on quality. Harnessing the full expanse of the sensor yields a distinct open gate 3:2 image, facilitating post-production reframing. Furthermore, the sensor's ample size enables authentic 6:5 anamorphic shooting sans cropping, yielding cinematic widescreen images with enhanced detail and resolution. Additionally, you can utilize the classic Super 35-sized window on the sensor to swiftly generate a 'close-up' variant of your shot that seamlessly integrates with open gate footage.\u003cbr\u003e\u003ch2\u003eCapture Stunning High Dynamic Range (HDR) Images with Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS boasts an impressive 13-stop dynamic range, ensuring it preserves intricate details in both the brightest and darkest areas of an image, surpassing the capabilities of standard video cameras. This feature enables you to adjust exposure for indoor settings, such as a café, while still maintaining the vividness of bright outdoor light streaming through a window. Additionally, the camera offers a broader spectrum of colors compared to the conventional DCI-P3 colorspace commonly utilized in feature films.\u003cbr\u003e\u003ch2\u003eExceptional Low-Light Performance with Dual Gain ISO\u003c\/h2\u003e\u003cbr\u003eEquipped with dual native ISO capabilities of up to 25,600, the Blackmagic PYXIS is designed to minimize grain or noise in images, while retaining the sensor's full dynamic range. Its primary native ISO of 400 is well-suited for scenes illuminated by on-set lighting, while the secondary high base ISO of 3200 excels in dimly lit environments.\u003cbr\u003e\u003ch2\u003eVersatile Resolutions and Frame Rates\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS supports a wide range of resolutions and frame rates, ranging from HD to DCI 4K and even 6K. It is capable of capturing stills at an impressive 24.6 megapixels. At its maximum capabilities, the camera can shoot up to 36 fps at 6048 x 4032 in 3:2 open gate format, or 60 fps at 6048 x 2520 in 2.4:1 aspect ratio, as well as 60 fps at 4096 x 2160 in 4K DCI. For higher frame rates, sensor windowing allows shooting up to 100 fps at 2112 x 1184 in Super 16 format. Furthermore, the camera supports true anamorphic 6:5 shooting at significantly higher resolutions compared to other cameras, reaching 4.8K at 24 fps with a resolution of 4832 x 4032. Additionally, it can shoot at 120 fps in 1080HD resolution.\u003cbr\u003e\u003ch2\u003eLarge 4? LCD Monitor of Blackmagic PYXIS 6K\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS comes equipped with a spacious 4-inch LCD monitor, offering high resolution and HDR capabilities, ideal for monitoring and reviewing shots during production. With its 1500 nits of brightness, this HDR touchscreen ensures clear visibility, even in bright sunlight conditions. On-screen overlays provide vital information such as status, record parameters, histograms, levels, and frame guides. Additionally, the display allows for the quick application of 3D LUTs to achieve desired colors and looks.\u003cbr\u003e\u003ch2\u003eAll Controls at your Fingertips\u003c\/h2\u003e\u003cbr\u003eAll essential controls are conveniently placed within reach on the Blackmagic PYXIS, offering both touchscreen and physical controls for functions like ISO, white balance, and shutter speed. A scroll wheel facilitates swift adjustments to settings, while three customizable function buttons streamline access to frequently used commands. Recording and still buttons are positioned intuitively, along with function keys for features like high frame rate, focus, zoom, and false color. Furthermore, controls can be locked to prevent accidental changes during critical moments or when the camera is out of reach.\u003cbr\u003e\u003ch2\u003eSide Plates for Flexible Mounting Options!\u003c\/h2\u003e\u003cbr\u003eFor versatile mounting options, the Blackmagic PYXIS includes a standard plate crafted from aircraft-grade aluminum, featuring two 1\/4-inch and one 3\/8-inch thread mounts for attaching microphones, brackets, or other accessories. Alternatively, users can utilize the included SSD plate, providing a secure attachment point for a USB-C drive for recording or a mobile phone for live streaming. For even more flexibility, the optional Rosette Plate offers five 1\/4-inch and four 3\/8-inch thread mounts, along with a rosette mounting point for handgrips or extension arms.\u003cbr\u003e\u003ch2\u003eCapture footage of Blackmagic PYXIS 6K directly onto CFexpress cards or external disks!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k comes equipped with two integrated CFexpress card recorders, along with a USB-C expansion port for direct recording onto external flash media disks or an SSD. CFexpress media is ideal for capturing full-resolution, 12-bit Blackmagic RAW files. Moreover, with dual CFexpress slots, continuous recording is possible as you can seamlessly swap out full cards without interrupting the process!\u003cbr\u003e\u003ch2\u003eUtilize 5G or 4G smartphones for mobile data connectivity of Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eWhen transferring files to Blackmagic Cloud, leverage the connectivity of an Apple or Android phone via mobile data. Simply link the phone to the USB-C port, and the Blackmagic PYXIS 6k will automatically configure for mobile data usage. It's compatible with the latest high-speed 5G phones, as well as 4G models! Alternatively, wired Ethernet connection via the camera's Ethernet port is also available. This enables real-time media transfer during shooting, allowing post-production teams worldwide to commence work immediately!\u003cbr\u003e\u003ch2\u003eProfessionally connect with various video output options!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k offers a comprehensive array of connections for audio, monitoring, power, and more. Featuring a 12G-SDI output with HDR and Ultra HD support, the camera facilitates monitoring on set. You can connect an SDI display for real-time image monitoring, complete with overlays displaying crucial information and camera status. SDI enables longer cable runs compared to HDMI, making it easier to reach monitors positioned farther away on set.\u003cbr\u003e\u003ch2\u003eBuilt-in Microphones and Professional Audio Inputs of Blackmagic PYXIS 6k\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS 6k comes equipped with a mini XLR input providing 48 volts of phantom power, it facilitates the connection of lapel mics and booms. Additionally, the built-in mics boast a remarkably low noise floor, are resistant to shock and wind, and excel at capturing high-quality sound, making them ideal for recording guide tracks on location. Furthermore, the camera features a 3.5mm audio input for video camera microphones, a built-in speaker for playback, and a 3.5mm headphone jack. These audio connectivity options enable the recording of separate audio tracks using microphones without requiring an external mixer.\u003cbr\u003e\u003ch2\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/h2\u003e\u003cbr\u003eBlackmagic PYXIS 6K allows users to load custom 3D LUTs to replicate cinematic looks. However, 3D LUTs offer a solution by applying a desired \"look\" to the monitor, providing a preview of how the final images will appear during editing. These LUTs can be applied temporarily for monitoring purposes or recorded directly into Blackmagic RAW files for post-production use. The camera is compatible with industry-standard 17 and 33 point 3D LUT files, as well as built-in LUTs like Extended Video, Film to Video, and Film to Rec.2020.\u003cbr\u003e\u003ch2\u003eUSB-C for External Disks and Ethernet Control\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6K incorporates a USB-C Expansion Port for external accessories, operating at speeds of up to 5 Gb\/s. This allows users to connect peripherals such as flash drives and high-capacity SSDs for extended recording times. Additionally, the camera features a built-in Ethernet port for convenient network control via secure and user-friendly REST APIs. Users can even transfer files from the camera over the network, offering enhanced flexibility and convenience.\u003cbr\u003e\u003ch2\u003eIntroducing Built-In SRT and RTMP Live Streaming\u003c\/h2\u003e\u003cbr\u003eExperience live streaming straight from your film sets! The Blackmagic PYXIS 6k comes equipped with a built-in hardware streaming engine that fully supports RTMP and SRT streaming to various platforms including YouTube, Facebook, and more! For internet connectivity, you have two convenient options: connect via Ethernet for stable access or utilize a 4G or 5G phone to tap into mobile data on the go!\u003cbr\u003e\u003ch2\u003eEffortless Wireless Bluetooth Camera Remote Control\u003c\/h2\u003e\u003cbr\u003eWhen your camera is positioned in challenging or hard-to-reach spots, take control effortlessly with Bluetooth from distances of up to 30 feet away. Whether you prefer the Blackmagic Camera Control app on your iPad or third-party apps like Bluetooth+ or tRigger on your iOS and Android devices, full control is at your fingertips. Additionally, explore the possibilities with a free developer SDK featuring sample code available from the Blackmagic Design developer website, empowering you to customize your own remote camera control and digital slate solutions!\u003cbr\u003e\u003ch2\u003eFlexible Power Options with Battery or 12V DC\u003c\/h2\u003e\u003cbr\u003ePower up with ease using high-capacity BP-U series batteries with the Blackmagic PYXIS 6k. With the highest capacity BP-U series battery, enjoy shooting for over 3 hours on a single charge! And for continuous power supply during shoots, simply connect to DC power using the locking connector, ensuring uninterrupted filming, especially when your camera is mounted or positioned on a jib. Additionally, the package includes a set of international socket adapters for versatile use worldwide.\u003cbr\u003e ","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535203127436,"sku":"BMD-CINECAMCPYXH60LFPL","price":12935.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1712934125_IMG_2231888.webp?v=1772744748"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-leica-l","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Leica L)","description":"\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11912 alignright\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl-300x148.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"300\" height=\"148\"\u003e\u003c\/a\u003e The Blackmagic PYXIS 6K Leica L takes advantage of the technological advancements in digital filmmaking seen in the Blackmagic Design Cinema Camera 6K. It transforms this camera into a box-style cinema camera, incorporating a lockable Leica L lens mount and customizable side plates. Featuring a full-frame 6K sensor, it captures vivid colors, precise skin tones, and an impressive 13-stop dynamic range over its expanded 36 x 24mm sensor area. Recording options include both Blackmagic RAW and H.265 proxy files, which can be saved to the cloud or streamed directly to your preferred social media platform via Ethernet or mobile 4G\/5G connectivity. The PYXIS allows for shooting in various resolutions, including up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable options.\u003cbr\u003e\u003ch2\u003eEngineered for Unparalleled Personalization!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6K Leica L is meticulously crafted with precision CNC machining from aerospace-grade aluminum, ensuring a lightweight yet incredibly durable frame. Its versatility knows no bounds as you effortlessly attach it to a variety of camera setups, from cranes to gimbals to drones. With an array of 1\/4? and 3\/8? thread mounts on the top and bottom, along with additional side plates, the Blackmagic PYXIS expands your options for peripherals like handles, microphones, or SSDs.\u003cbr\u003e\u003ch2\u003eExpansive Cinema-Grade Digital Film Sensor!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6K Leica L features a vast full-frame sensor boasting a native resolution of 6048 x 4032, surpassing the Super 35 sensor dimensions by almost threefold. This allows for capturing footage with a shallow depth of field or using anamorphic lenses without any cropping, achieving an authentic cinematic look. With 13 stops of dynamic range and dual native ISO up to 25,600, you can expect impeccable low-noise images in any shooting condition. Plus, achieve frame rates of up to 36 fps at full sensor resolution or 120 fps in windowed mode. Paired with Blackmagic's renowned color science, this sensor empowers you with professional-grade imaging technology akin to high-end digital cinema cameras.\u003cbr\u003e\u003ch2\u003eUnrivaled Frame Flexibility of the Blackmagic PYXIS 6K Leica L\u003c\/h2\u003e\u003cbr\u003eThe expansive full-frame sensor of the Blackmagic PYXIS offers flexibility across various film formats and aspect ratios without sacrificing quality. Utilize the full sensor for a distinct open gate 3:2 image, allowing for post-production reframing. Its ample size also enables authentic 6:5 anamorphic shooting without cropping, delivering cinematic widescreen images with enhanced detail and resolution. Additionally, the Super 35-sized window on the sensor allows for swift creation of 'close-up' shots that seamlessly integrate with open gate footage.\u003cbr\u003e\u003ch2\u003eUnlock the Potential of High Dynamic Range (HDR) Imaging with the Blackmagic PYXIS 6K Leica L\u003c\/h2\u003e\u003cbr\u003eExperience the power of the Blackmagic PYXIS 6K Leica L, boasting an exceptional 13-stop dynamic range that ensures the preservation of intricate details across all lighting conditions. Surpassing conventional video cameras, this remarkable feature allows for precise exposure adjustments in various settings, from cozy indoor environments like cafes to the vibrant glow of outdoor scenes streaming through windows. Moreover, the camera delivers a wider color spectrum compared to standard DCI-P3 color spaces, elevating the richness and depth of your visuals.\u003cbr\u003e\u003ch2\u003eUnparalleled Performance in Low-Light Conditions with Dual Gain ISO\u003c\/h2\u003e\u003cbr\u003eFeaturing dual native ISO capabilities of up to 25,600, the Blackmagic PYXIS excels in minimizing noise while maintaining the full dynamic range of the sensor. With a primary native ISO of 400 for well-lit scenes and a secondary high base ISO of 3200 for low-light environments, this camera ensures exceptional image quality in any lighting scenario.\u003cbr\u003e\u003ch2\u003eFlexibility in Resolutions and Frame Rates\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS offers versatility in resolutions and frame rates, supporting a wide range from HD to DCI 4K and even 6K. With still capture capabilities of up to 24.6 megapixels, it delivers stunning image quality. Maximize your creative potential with frame rates reaching up to 36 fps at 6048 x 4032 in 3:2 open gate format, or 60 fps at 6048 x 2520 in 2.4:1 aspect ratio, along with 60 fps at 4096 x 2160 in 4K DCI. For higher frame rates, sensor windowing allows shooting at up to 100 fps at 2112 x 1184 in Super 16 format. Additionally, the camera supports true anamorphic 6:5 shooting at significantly higher resolutions, reaching 4.8K at 24 fps with a resolution of 4832 x 4032. Notably, it also offers 120 fps shooting in 1080HD resolution, expanding your creative possibilities even further.\u003cbr\u003e\u003ch2\u003eLarge 4? LCD Monitor of Blackmagic PYXIS 6K Leica L\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6K Leica L features a generous 4-inch LCD monitor, delivering high resolution and HDR capabilities, perfect for monitoring and reviewing shots during production. Boasting 1500 nits of brightness, this HDR touchscreen ensures clear visibility, even under bright sunlight. On-screen overlays provide crucial information such as status, record parameters, histograms, levels, and frame guides. Moreover, the display facilitates the quick application of 3D LUTs to achieve desired colors and looks.\u003cbr\u003e\u003ch2\u003eAll Controls at your Fingertips\u003c\/h2\u003e\u003cbr\u003eConveniently positioned within easy reach, all essential controls are available on the Blackmagic PYXIS, offering both touchscreen and physical options for functions like ISO, white balance, and shutter speed. A scroll wheel enables swift adjustments to settings, while three customizable function buttons streamline access to frequently used commands. Intuitively placed recording and still buttons, along with function keys for features like high frame rate, focus, zoom, and false color, enhance operational efficiency. Additionally, controls can be locked to prevent inadvertent changes during critical moments or when the camera is inaccessible.\u003cbr\u003e\u003ch2\u003eSide Plates for Flexible Mounting Options!\u003c\/h2\u003e\u003cbr\u003eFor flexible mounting solutions, the Blackmagic PYXIS includes a standard plate made from aircraft-grade aluminum, featuring two 1\/4-inch and one 3\/8-inch thread mounts for attaching microphones, brackets, or other accessories. Alternatively, users can utilize the provided SSD plate, offering a secure attachment point for a USB-C drive for recording or a mobile phone for live streaming. For increased versatility, the optional Rosette Plate provides five 1\/4-inch and four 3\/8-inch thread mounts, along with a rosette mounting point for handgrips or extension arms.\u003cbr\u003e\u003ch2\u003eFilm with your Blackmagic PYXIS 6K Leica L directly onto CFexpress cards or external disks!\u003c\/h2\u003e\u003cbr\u003eEquipped with dual CFexpress card recorders and a USB-C expansion port, the Blackmagic PYXIS 6k allows for seamless recording onto external flash media disks or SSDs. CFexpress media ensures optimal capture of full-resolution, 12-bit Blackmagic RAW files. Plus, with two CFexpress slots, you can continuously record by swapping out full cards without any interruptions!\u003cbr\u003e\u003ch2\u003eMake use of 5G or 4G smartphones to enable mobile data connectivity for your Blackmagic PYXIS 6K Leica L\u003c\/h2\u003e\u003cbr\u003eTransfer files to Blackmagic Cloud effortlessly by connecting an Apple or Android phone via mobile data. Simply link your phone to the USB-C port, and the Blackmagic PYXIS 6k will automatically configure for mobile data usage. It's compatible with the latest high-speed 5G phones as well as 4G models! Alternatively, you can opt for a wired Ethernet connection via the camera's Ethernet port. This allows for real-time media transfer during shooting, enabling post-production teams worldwide to begin work immediately!\u003cbr\u003e\u003ch2\u003eEasily connect professionally with a variety of video output options!\u003c\/h2\u003e\u003cbr\u003eThe Blackmagic PYXIS 6k offers a comprehensive range of connections for audio, monitoring, power, and more. With a 12G-SDI output featuring HDR and Ultra HD support, the camera facilitates on-set monitoring. Connect an SDI display for real-time image monitoring, complete with overlays displaying essential information and camera status. SDI enables longer cable runs compared to HDMI, making it easier to reach monitors positioned farther away on set.\u003cbr\u003e\u003ch2\u003eUtilize Built-in Microphones and Professional Audio Inputs with Blackmagic PYXIS 6K Leica L\u003c\/h2\u003e\u003cbr\u003eEquipped with a mini XLR input that provides 48 volts of phantom power, the Blackmagic PYXIS 6K facilitates seamless connection of lapel mics and booms. Its built-in mics, boasting an impressively low noise floor, withstand shock and wind, and excel in capturing high-quality sound, making them ideal for recording guide tracks on location. Additionally, the camera offers a 3.5mm audio input for video camera microphones, a built-in speaker for playback, and a 3.5mm headphone jack. These diverse audio connectivity options empower users to record separate audio tracks using microphones without necessitating an external mixer.\u003cbr\u003e\u003ch2\u003eExperience Film Looks by Loading Custom 3D LUTs!\u003c\/h2\u003e\u003cbr\u003eWith the Blackmagic PYXIS 6K, users can load custom 3D LUTs to replicate cinematic aesthetics. By applying desired \"looks\" to the monitor, 3D LUTs offer a solution for previewing how final images will appear during post-production editing. These LUTs can be temporarily applied for monitoring purposes or directly recorded into Blackmagic RAW files for post-production manipulation. Compatible with industry-standard 17 and 33 point 3D LUT files, as well as built-in LUTs like Extended Video, Film to Video, and Film to Rec.2020, this camera offers extensive creative flexibility.\u003cbr\u003e\u003ch2\u003eHarness USB-C for External Disks and Ethernet Control\u003c\/h2\u003e\u003cbr\u003eFeaturing a USB-C Expansion Port operating at speeds of up to 5 Gb\/s, the Blackmagic PYXIS 6K allows users to connect external accessories such as flash drives and high-capacity SSDs for extended recording capabilities. Moreover, the camera integrates a built-in Ethernet port for seamless network control via secure and user-friendly REST APIs. This functionality enables convenient file transfers from the camera over the network, enhancing workflow flexibility and convenience.\u003cbr\u003e\u003ch2\u003eEnhanced Built-In SRT and RTMP Live Streaming Feature\u003c\/h2\u003e\u003cbr\u003eEmbrace the world of live streaming directly from your film sets! With the Blackmagic PYXIS 6k, you now have access to a built-in hardware streaming engine that seamlessly supports RTMP and SRT streaming to a variety of platforms such as YouTube, Facebook, and more! Connectivity options abound: opt for Ethernet for a stable connection or utilize your 4G or 5G phone to harness mobile data while on the move!\u003cbr\u003e\u003ch2\u003eSeamless Wireless Bluetooth Camera Remote Management\u003c\/h2\u003e\u003cbr\u003eWhen your camera is situated in challenging or inaccessible locations, take command effortlessly with Bluetooth from distances of up to 30 feet away. Whether you favor the Blackmagic Camera Control app on your iPad or third-party apps like Bluetooth+ or tRigger on your iOS and Android devices, complete control is just a tap away. Furthermore, unlock endless potential with a complimentary developer SDK featuring sample code accessible from the Blackmagic Design developer website, enabling you to tailor your own remote camera control and digital slate solutions to suit your needs!\u003cbr\u003e\u003ch2\u003eFlexible Power Options with Battery or 12V DC\u003c\/h2\u003e\u003cbr\u003eEffortlessly energize your Blackmagic PYXIS 6k with versatile power solutions, whether it's utilizing the robust BP-U series batteries or connecting to a 12V DC power source. Experience extended shooting sessions with the highest capacity BP-U series battery, granting over 3 hours of uninterrupted filming on a single charge! For prolonged shoots, maintain seamless power supply by effortlessly linking to DC power through the secure locking connector, ensuring consistent filming flow, especially when your camera is mounted or placed on a jib. Moreover, benefit from the convenience of international socket adapters included in the package for adaptable usage across the globe.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535203160204,"sku":"BMD-CINECAMCPYXA60LFL","price":12126.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1712934125_IMG_2231888_a7740a45-34ff-4947-bdf0-089fc0210567.webp?v=1772744749"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-canon-ef","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)","description":"The Blackmagic PYXIS 6K EF mount Cinema Box Camera builds upon the digital film advancements of the Blackmagic Design Cinema Camera 6K, transforming it into a box-style cinema camera featuring a lockable Canon EF lens mount and customizable side plates. Its full-frame 6K sensor captures vibrant colors, precise skin tones, and an extensive 13-stop dynamic range across its expanded 36 x 24mm sensor. You can record both Blackmagic RAW and H.265 proxy files to the cloud or stream directly to your preferred social media platform using Ethernet or mobile 4G\/5G technology. The PYXIS can film up to 6K Open Gate 3:2 video at 36 fps or 6K Anamorphic 6:5 video at 60 fps, among other selectable resolutions.\u003cbr\u003e\u003ch2\u003e\n\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/sensor-xl.webp\"\u003e\u003cimg class=\"size-medium wp-image-11913 alignleft\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/sensor-xl-300x123.webp\" alt=\"Blackmagic PYXIS 6k PYXIS 6k EF Mount\" width=\"300\" height=\"123\"\u003e\u003c\/a\u003eFull Frame Digital Sensor on PYXIS 6K EF Mount\u003c\/h2\u003e\u003cbr\u003eThe PYXIS is equipped with a large-format digital film sensor measuring 24 x 36mm with a native resolution of 6048 x 4032, making it three times larger than a Super35 sensor. This enables shooting with a shallow depth of field or using anamorphic lenses without cropping for an authentic cinematic appearance. With a 13-stop dynamic range and dual-native ISO up to 25,600, it ensures low-noise imagery in various lighting conditions. You can shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003cbr\u003e\u003ch2\u003e\n\u003cstrong\u003eVersatile Film Formats \u003c\/strong\u003ein PYXIS 6K EF Mount\u003c\/h2\u003e\u003cbr\u003eExperience flexibility across various film formats and aspect ratios without compromising quality, courtesy of the expansive sensor. At full capacity, the sensor delivers Open Gate 3:2 images, facilitating easier post-production framing. Additionally, true 6:5 anamorphic shooting is achievable without the need for widescreen cropping. Utilize a Super35-sized window to craft a close-up rendition of your composition.\u003cbr\u003e\u003ch2\u003e\u003cstrong\u003eDiverse Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/h2\u003e\u003cbr\u003eCapture footage in standard video resolutions and frame rates ranging from HD to 6K, or still images at 24.6 MP with the PYXIS. For heightened frame rates, employ center windowing to shoot up to 100 fps at 212 x 1184 Super 16. Other options encompass 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among various resolutions.\u003cbr\u003e\u003ch2\u003e\n\u003cstrong\u003eHDR Imaging and Dual-Native ISO \u003c\/strong\u003eof PYXIS 6K EF Mount\u003c\/h2\u003e\u003cbr\u003eBenefit from a broad 13-stop dynamic range that conserves intricate details in both the brightest and darkest regions of your footage. Adjust exposure for an indoor scene while retaining clarity in brightly lit outdoor settings, such as sunlight streaming through a window. Expanded color gamut and bundled DaVinci Resolve Studio software grant you creative control over your footage's aesthetic. Dual-native ISO up to 25,600 minimizes grain and noise in your captures while preserving the sensor's full dynamic range. ISO 400 suits on-set lighting configurations, whereas ISO 3200 proves ideal for dimly lit environments. Gain adjusts automatically as you manipulate ISO settings, ensuring intuitive control.\u003cbr\u003e\u003ca href=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl.webp\"\u003e\u003cimg class=\"wp-image-11912 size-large alignright\" src=\"https:\/\/systecintl.ae\/wp-content\/uploads\/2024\/04\/hero-xl-1024x506.webp\" alt=\"Blackmagic PYXIS 6k\" width=\"1024\" height=\"506\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ch2\u003eCustomize Your Setup\u003c\/h2\u003e\u003cbr\u003eThe PYXIS features mounting threads on its side, enabling you to attach additional mounting plates and tailor your gear arrangement. The standard plate, which comes with the PYXIS, attaches via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for attaching microphones, articulating arms, or other accessories. An SSD plate provides two hook-and-loop straps for securing a USB-C drive or mobile device, allowing you to record or live stream directly on the move. Additionally, a Rosette plate is available separately for further expansion.\u003cbr\u003e\u003ch2\u003eLCD Display and Onboard Controls\u003c\/h2\u003e\u003cbr\u003eMonitor and review your footage on set using the integrated 4\" LCD touchscreen. With full HD resolution, it enables you to frame and focus without the need for an external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlight. On-screen overlays display status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003cbr\u003eOnboard controls make it easy to toggle functions such as ISO, white balance, and shutter settings. A scroll wheel allows for quick adjustments, while three customizable function buttons enable you to tailor your workflow to your liking. The controls can be locked to prevent accidental activation during shooting.\u003cbr\u003e\u003ch2\u003ePost-Production File Formats of PYXIS 6K EF Mount\u003c\/h2\u003e\u003cbr\u003eThe PYXS utilizes Blackmagic RAW for recording, ensuring meticulous control over detail, exposure, and color grading during post-production. Additionally, it simultaneously records H.264 proxy files in real time, facilitating effortless sharing via the Blackmagic Cloud, Ethernet connection, or by linking 5G\/4G mobile phones to the USB-C port for mobile connectivity. These media files are compatible with all operating systems.\u003cbr\u003e\u003ch2\u003eMultiple Recording Options\u003c\/h2\u003e\u003cbr\u003eEquipped with two integrated CFExpress Type-B card slots and a USB-C expansion port, the PYXS enables direct recording onto external flash media disks or SSDs.\u003cbr\u003e\u003ch2\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/h2\u003e\u003cbr\u003eEffortlessly live stream from the PYXIS on set to a secondary location using SRT and RTMP protocols. Leading platforms such as YouTube, Facebook, and X can receive signals from the PYXIS for live event production. For internal sharing, utilize an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch2\u003eExtensive Connectivity Options\u003c\/h2\u003e\u003cbr\u003eOn the front panel of the PYXIS, you'll find a USB-C port designed for the Blackmagic URSA Cine EVF, along with a mini 3-pin XLR analog audio input featuring +48V Phantom power for seamless microphone integration.\u003cbr\u003eAt the rear of the PYXIS, there's a headphone monitoring jack and an additional 3.5mm microphone input. Utilize the USB-C port at the rear of the camera to connect to recording devices or for mobile data transmission. Additionally, a 12G-SDI output facilitates the integration of a secondary monitor. A Reference\/Timecode input port ensures synchronization of your sources, while an RJ45 Ethernet connection allows for footage upload to the Blackmagic Cloud or camera control.\u003cbr\u003ePower options for the PYXIS include the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eFor wireless control, download the Blackmagic Camera Control app, enabling Bluetooth control from distances of up to 30 feet.\u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535203389580,"sku":"CINECAMCPYXD60LFEF","price":12126.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1712933734_1823585.webp?v=1772744752"},{"product_id":"sony-fx6-full-frame-cinema-camera-body-only","title":"Sony FX6 Full-Frame Cinema Camera (Body Only)","description":"\u003ch3\u003eSony FX6: Compact Cinema Capture\u003c\/h3\u003e\u003cbr\u003eThe FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.\u003cbr\u003e\u003ch3\u003e4K Full-Frame Exmor R Sensor\u003c\/h3\u003e\u003cbr\u003eThe FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003cbr\u003e\u003ch3\u003eCompact, Single-Operator Design in\u003c\/h3\u003e\u003cbr\u003e\u003ch3\u003ein Sony FX6\u003c\/h3\u003e\u003cbr\u003eWeighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6\", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.\u003cbr\u003e\u003ch3\u003eVersatile Addition to Sony Cinema Line in Sony FX6\u003c\/h3\u003e\u003cbr\u003eAs part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.\u003cbr\u003e\u003ch3\u003eCompared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:\u003c\/h3\u003e\u003cbr\u003eIt matches the FX9's video capture up to DCI 4K60Has the same S-Cinetone, S-Log3, and HLG gamma choicesOutputs 16-bit raw like the FX9\u003cbr\u003e\u003ch3\u003eSony E lens mount\u003c\/h3\u003e\u003cbr\u003eOffers the same 1\/4 to 1\/128 ND optionsAlso provides 2-channel XLR audio inputsFX6 differences from the FX9:\u003cbr\u003e\u003ch3\u003e4K capture vs 6K in\u003c\/h3\u003e\u003cbr\u003e\u003ch3\u003ein Sony FX6\u003c\/h3\u003e\u003cbr\u003eHas a single 12G\/6G\/3G-SDI BNC port, trimming the FX9's additional 3G-SDI portIncorporates a timecode port but lacks the FX9's genlock connector\u003cbr\u003e\u003ch3\u003eImproved FX6 specs include:\u003c\/h3\u003e\u003cbr\u003eAn ISO range of 320 to 409,600 vs the FX9's 320 to 102,400 rangeTop frame rates of 120p in 4K and up to 240p in HD vs the FX9's top 1080p in HDDual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card optionFirmware Update v4.0Update your Sony FX6 with v4.0 firmware to access new features that were designed with feedback from the pro cine community.Anamorphic de-squeeze is now available in both 1.3x and 2.0x ratios for viewing in the viewfinder and through the HDMI output.Cine EI Quick support enables you to select the same workflow as Cinema Line cameras like the FX3 and FX30, streamlining your multi-camera process.Clip naming now uses the same process as the CineAlta cameras, ensuring an easier multi-camera workflow.Autofocus is available when using frame rates of 7 fps or higher in S\u0026amp;Q (Slow \u0026amp; Quick) mode.\u003cbr\u003e\u003ch3\u003e15+ Stops of Dynamic Range\u003c\/h3\u003e\u003cbr\u003eCaptures a whopping 15+ stops of dynamic rangeCreates nuanced, high-resolution imagesSelect the Cine EI mode with S-Log3 for the maximum dynamic range\u003cbr\u003e\u003ch3\u003eWide ISO Range\u003c\/h3\u003e\u003cbr\u003eChoose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.Electronically Variable ND FiltersShown with Optional EquipmentSet the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditionsSmoothly adjust the ND filter density manually in increments from 1\/4 to 1\/128 as you shootBoth options will produce properly exposed images without affecting your chosen depth of field\u003cbr\u003e\u003ch3\u003eAdvanced XAVC Codec Options\u003c\/h3\u003e\u003cbr\u003eThe FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb\/s.High Frame Rate SelectionsFor slow-motion and fast action looks, choose from full-frame rates ranging from:1-60 fps in HD to DCI 4K resolutions100 or 120 fps in HD through UHD 4K150, 180, 200, or 240 fps in Full HD\u003cbr\u003e\u003ch3\u003eSuper35 choices include:\u003c\/h3\u003e\u003cbr\u003e1-60, 100, and 120 fps in Full HDExpressive Cinematic LookSony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.\u003cbr\u003e\u003ch3\u003eFast Hybrid\/Phase Detection Autofocus\u003c\/h3\u003e\u003cbr\u003eShown with Optional EquipmentThe FX6 is compatible with 50+ native Sony E-mount lensesImproved autofocus choices include Face Detection and Eye Autofocus modesEnables rapid focusing with extremely sharp accuracy, even in lower-light settingsThe phase detection autofocus uses seven transition-speed steps and five subject-sensitivityImage Stabilization and More with Catalyst and MetadataPair the FX6 with Sony's Catalyst Prepare\/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction.Touchscreen 3.5\" LCD ControlThe FX6's 3.5\" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.Reliable Design and ConstructionConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well.\u003cbr\u003e\u003ch3\u003e4-Channel Audio Recording\u003c\/h3\u003e\u003cbr\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.Professional Input\/Output InterfaceShown with Optional EquipmentFX6 input and output ports include a selectable 12G\/6G\/3G-SDI output for flexible monitoringProvides an HDMI output and 12-bit raw output via SDIHas a timecode input and output for syncing multiple camerasIncorporates a built-in Wi-Fi moduleCFexpress Media Slots and Multiple Recording ModesThe FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.Modular, Grab-and-Go DesignThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.Content Browser Mobile Compatibility\u003cbr\u003eUse the separately available Content Browser Mobile app with a compatible smartphone or remote controlThe FX6's Wi-Fi function enables remote monitoring and focus\/iris\/zoom control\u003cbr\u003e \u003cbr\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003ebuy it from \u003ca href=\"http:\/\/systecintl.ae\"\u003eSystec \u003c\/a\u003e\u003cbr\u003e ","brand":"Sony","offers":[{"title":"Default Title","offer_id":46535206240396,"sku":"ILME-FX6V","price":22076.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1-1_1f84f672-1afd-4326-9855-62748f2d6859.webp?v=1772744801"},{"product_id":"sony-fx30-digital-cinema-camera","title":"Sony FX30 Digital Cinema Camera","description":"\u003ch2\u003eYour Ticket to Cinema Mastery\u003c\/h2\u003e\u003cbr\u003eLeveraging the power of a newly developed APS-C sensor, the \u003cb\u003eSony FX30\u003c\/b\u003e provides everyday content creators and aspiring filmmakers with a powerful, yet accessible cinema camera with which to push their cinematic journey to new heights. It blends an imaging pipeline designed for cinematic capture with a comprehensive feature set and intuitive operation to create a complete system for all levels of filmmaking.\u003cbr\u003e\u003ch2\u003eCinematic Expression\u003c\/h2\u003e\u003cbr\u003e26MP APS-C\/Super35 Exmor R BSI CMOS SensorThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line—capturing detailed 10-bit UHD 4K imagery at up to 120 fps—giving it specs fitting a true cinema camera. The newly developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super35 (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003cbr\u003e\u003ch2\u003eAdvanced Capture Options\u003c\/h2\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e    \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e    \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e    \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e    \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003c\/li\u003e    \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eSony FX30 offers Professional Picture Control\u003c\/h2\u003e\u003cbr\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eS-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off.\u003c\/li\u003e    \u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e    \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e    \u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eOperation for All Levels\u003c\/h2\u003e\u003cbr\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003cbr\u003e\u003cul\u003e    \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e    \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e    \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch2\u003eIntuitive Operation and Controls\u003c\/h2\u003e\u003cbr\u003e5-Axis In-Body Image Stabilization\u003cbr\u003e\u003cdiv\u003e\n\u003cbr\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off, which can be used in post to create a stable shot.\u003ch2\u003eSony FX30 offers Fast Hybrid AF\u003c\/h2\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.\u003cul\u003e    \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e    \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e    \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eComprehensive Feature Set\u003c\/h2\u003ePlenty of Sony's cinema features have found their way into the FX30:\u003cul\u003e    \u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e    \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e    \u003cli\u003eTally lights for an easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT alignnone\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038695.jpg\" alt=\"Sony FX30\" width=\"1000\" height=\"563\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003ch2\u003eMedia Options of Sony FX30\u003c\/h2\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.Catalyst Browse and Prepare IntegrationThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003ch2\u003eMetadata recorded includes:\u003c\/h2\u003e\n\u003cul\u003e    \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e    \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e    \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e    \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e    \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038697.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003ch2\u003eErgonomic Form for Solo Operation\u003c\/h2\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.The body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003cul\u003e    \u003cli\u003eLightweight body weighs just 1.2 lb.\u003c\/li\u003e    \u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e    \u003cli\u003eFully customizable button layout.\u003c\/li\u003e    \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e    \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e    \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e    \u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eUpdated Menu System of Sony FX30\u003c\/h2\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003cul\u003e    \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e    \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003cimg class=\"pointer_pdnKDph4rT\" src=\"https:\/\/static.bhphoto.com\/images\/rich_content\/desktop\/IMG_2038700.jpg\" data-selenium=\"OverviewSectionMediaImage\"\u003e\u003c\/div\u003e\n\u003ch2\u003eA Plethora of Connectivity Options\u003c\/h2\u003eThe Sony FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003cul\u003e    \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e    \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e    \u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e    \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e    \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e    \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46535207125132,"sku":"ILME-FX30B","price":6499.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1664368534_1729317.webp?v=1772744816"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-arri-pl","title":"Blackmagic Design PYXIS 12K Cinema Camera (ARRI PL)","description":"\u003ch2\u003eBlackmagic Design PYXIS 12K Overview\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/h3\u003e\u003cbr\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\u003cbr\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003cbr\u003e\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003cbr\u003e\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.Users anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003cbr\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535212564620,"sku":"CINECAMCPYXO12LFPL","price":20199.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Blackmagic-Design-PYXIS-12K-Cinema-Camera.webp?v=1772744881"},{"product_id":"sony-fx3a-cinema-line-full-frame-camera","title":"Sony FX3A Cinema Line Full-frame Camera","description":"\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cbr\u003eFX3A Cinematic Capture in a Compact, Streamlined Form\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"\"\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eWith a compact design for solo shooters, for travel applications, and to serve as an ideal B cam, the Sony FX3A borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3A features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design offering the ability to secure various accessories directly to the camera body.\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cbr\u003eExpressive UHD 4K Video Capture\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eThe FX3A 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and greater-than 15-stop dynamic range for working in mixed lighting conditions. Benefiting color and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\n\u003cbr\u003eFX3A 4K Full-Frame CMOS Exmor R Sensor\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cbr\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3 true cinematic expression with 10.2MP effective video and 12.1MP stills capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for color grading.\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e4K full-frame sensor w\/ 15+ stop dynamic range\u003csup\u003e3\u003c\/sup\u003e and high sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eS-Cinetone, expressive cinematic look inspired by VENICE colorimetry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eUp to 4K 120p\u003csup\u003e1\u003c\/sup\u003e 10-bit 4:2:2 and full pixel readout in all rec. modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eCompact cage free design w\/ ¼”-20 mounting points and XLR top handle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eUninterrupted\u003csup\u003e4\u003c\/sup\u003e 4K 60p rec. w\/ cooling fan for effective heat sink\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eXLR on top handle, digital MI shoe and 3.5mm jack audio options\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eDirect Iris, ISO and Shutter exposure control, optimized for video\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eReal-time Eye-AF\u003csup\u003e5\u003c\/sup\u003e and Real-time AF tracking for movie shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e5-axis in-body image stabilization with selectable Active mode\u003csup\u003e6\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eDesigned for movie shooting including Zoom lever and Tally lights\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eISO\u003csup\u003e2\u003c\/sup\u003e up to 409,600 w\/ low noise even at higher ISO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eIncredible autofocus w\/ 627 phase detection AF points, 89% coverage\u003csup\u003e7\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e7x adjustable AF Transition Speeds, 5x AF Subject Shift Sensitivity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eUp to 4K 120p\u003csup\u003e1\u003c\/sup\u003e in XAVC S, XAVC HS (Long GOP) and XAVC S-I (All-I)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003ePicture Profiles including S-Cinetone, HLG\u003csup\u003e8\u003c\/sup\u003e and S-Log 2 \u0026amp; 3\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e10 in-camera customizable Creative Looks for stills and movies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e16-bit RAW movie output up to 4K 60p via HDMI Type-A connector\u003csup\u003e9\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eFast readout for high frame rates, fast AF, minimal rolling shutter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eRigid magnesium alloy body w\/ dust and moisture resistant sealing\u003csup\u003e10\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eSmallest Cinema Line camera optimized for solo movie shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e12.1MP\u003csup\u003e11\u003c\/sup\u003e JPEG, RAW and HEIF still image options up to 10fps with AF\/AE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eFast BIONZ XR processing engine delivers 8x more processing power\u003csup\u003e12\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eVisible Light and IR Sensor improves WB accuracy in artificial light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eNo 29m up to 50s continuous recording limit for movie shooting\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eImaging Edge mobile application\u003csup\u003e13\u003c\/sup\u003e for camera control and file transfer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eMobile tethering for LTE 4\/5 G live streaming and FTP data transfer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eSuperSpeed USB-C with power delivery\u003csup\u003e14\u003c\/sup\u003e and Ethernet wired LAN\u003csup\u003e15\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eHigh-speed 2.4 and 5GHz Wi-Fi\u003csup\u003e16\u003c\/sup\u003e \/ FTP transfer and wireless PC remote\u003csup\u003e16\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003e3” flip-out, vari-angle LCD monitor w\/ touch menu and controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eNew menu layout w\/ intuitive 3 level structure and touch navigation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eLong Z-battery life extendable via USB Type C with Power Delivery\u003csup\u003e14\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"pdp-summary-highlights__content\"\u003e    \u003cli\u003eE-Mount maximized with 59 Sony E-Mount lenses (as of Feb 2021)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003eLocate us: \u003ca href=\"https:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\"\u003ehttps:\/\/goo.gl\/maps\/YZQmjfG5vYQS3ZLU7\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46535212761228,"sku":"ILME-FX3A","price":14399.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/FX3A128744_original_local_1200x1050_v3_converted.webp?v=1772744888"},{"product_id":"sony-fx2-digital-cinema-camera","title":"Sony FX2 Digital Cinema Camera","description":"\u003ch2\u003eSony FX2 Digital Cinema Camera\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eCinematic Video Meets Advanced Photo Capture\u003c\/h3\u003e\u003cbr\u003eEquipped with a 33MP full-frame sensor, the AI-powered Sony FX2 combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.\u003cbr\u003e\u003ch3\u003e33MP Exmor R BSI CMOS Sensor\u003c\/h3\u003e\u003cbr\u003ePairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 offers 7K oversampling with full pixel readout for exceptional sharpness and realism. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.\u003cbr\u003e\u003ch3\u003eDCI 4K Video Recording\u003c\/h3\u003e\u003cbr\u003eDesigned for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.\u003cbr\u003e\u003ch3\u003eHybrid Still Image Capture\u003c\/h3\u003e\u003cbr\u003eThe FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.\u003cbr\u003e\u003cul\u003e    \u003cli\u003eBuilt-in toggle to switch from movie to still mode\u003c\/li\u003e    \u003cli\u003eShoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading\u003c\/li\u003e    \u003cli\u003eCapture photos from shot marks during internal video recording or playback\u003c\/li\u003e    \u003cli\u003eApply previously imported user LUTs to captured still images\u003c\/li\u003e    \u003cli\u003eFlex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eAI Subject Recognition\u003c\/h3\u003e\u003cbr\u003eThe FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.\u003cbr\u003e\u003ch3\u003eComprehensive Stabilization\u003c\/h3\u003e\u003cbr\u003eCombining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.\u003cbr\u003e\u003cul\u003e    \u003cli\u003e5-axis in-body optical image stabilization\u003c\/li\u003e    \u003cli\u003eDynamic Active Mode for stable handheld shooting\u003c\/li\u003e    \u003cli\u003eFraming stabilizer uses advanced AI\u003c\/li\u003e    \u003cli\u003eShake metadata is embedded into footage for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eImproved Accessibility\u003c\/h3\u003e\u003cbr\u003eInheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3\" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.\u003cbr\u003e\u003ch3\u003eConnectivity \u0026amp; Compatibility\u003c\/h3\u003e\u003cbr\u003eThe FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.\u003cbr\u003e\u003cul\u003e    \u003cli\u003eUSB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter\u003c\/li\u003e    \u003cli\u003eStream at 2.4\/5 GHz over Wi-Fi, or 5 GB\/s via USB-C connection\u003c\/li\u003e    \u003cli\u003eOne CFexpress Type A\/SDXC card slot, one SD card slot, and one HDMI port\u003c\/li\u003e    \u003cli\u003eMulti-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks\u003c\/li\u003e    \u003cli\u003eCompatible with XLR-H1 Handle Unit for expanded control and audio options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eErgonomic Design\u003c\/h3\u003e\u003cbr\u003eBuilt from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1\/4\"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie\/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.\u003cbr\u003e\u003ch3\u003eImproved FX2 Attributes\u003c\/h3\u003e\u003cbr\u003e \u003cbr\u003e\u003cul\u003e    \u003cli\u003eFull-frame, back-illuminated 33MP effective Exmor R CMOS sensor\u003c\/li\u003e    \u003cli\u003eShoot still images in S-Log3 for flexible color grading in post-production\u003c\/li\u003e    \u003cli\u003eAI-powered AF, framing, and active dynamic image stabilization\u003c\/li\u003e    \u003cli\u003e7K oversampling in full-frame mode and 4K resolution in Super 35 mode\u003c\/li\u003e    \u003cli\u003eDual-base 800\/4000 ISO during S-Log3 shooting\u003c\/li\u003e    \u003cli\u003eExtract stills during video recording or playback and apply user LUTs\u003c\/li\u003e    \u003cli\u003e3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eCommon FX2\/FX3 Attributes\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003e10-bit 4:2:2 internal recording or 16-bit raw output via HDMI\u003c\/li\u003e    \u003cli\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/li\u003e    \u003cli\u003eBIONZ XR processing engine\u003c\/li\u003e    \u003cli\u003eA dynamic range of 15+ stops\u003c\/li\u003e    \u003cli\u003eCompact design for cage-free operation\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46535213482124,"sku":"ILME-FX2B","price":9999.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Sony-FX2.webp?v=1772744900"},{"product_id":"blackmagic-design-ursa-cine-12k-lf-camera-body-only-canon-ef","title":"Blackmagic Design URSA Cine 12K LF Camera (Body Only, Canon EF)","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003ch2\u003eBlackmagic Design URSA Cine 12K EF Mount Overview\u003c\/h2\u003eCapture the heart of your story with a true cinematic look and feel using the redesigned URSA Cine 12K LF Camera from Blackmagic Design. This body-only URSA Cine 12K model sports a cinematic 12K full-frame 36 x 24mm sensor with an advertised 16 stops of dynamic range and Blackmagic RAW capture up to 12K 3:2 open gate. The versatile camera features Wi-Fi and SRT live streaming, built-in ND filters, LEMO and Fischer standard control\/power connections, and high-speed networking for cloud storage and M.2 SSD media. It comes with a locking EF mount, and all other accessories are optional.\u003ch3\u003eCinematic Large-Format Sensor\u003c\/h3\u003eThe URSA Cine camera features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K. The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green, and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate image quality and flexibility. You can now capture more detail with a wider dynamic range than ever before. Plus, in-sensor scaling means you can record at all resolutions without cropping.\u003ch3\u003eHigh-End Body Design\u003c\/h3\u003eThe URSA Cine is designed to meet the demands of any high-end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft-touch backlit buttons make controls easy to see in all conditions. There's a 5\" fold-out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with a 5\" LCD and full camera controls. Standard LEMO and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G-SDI out, 10G Ethernet, USB-C, XLR audio, and more.\u003ch3\u003eNumerous Formats\u003c\/h3\u003eThe large-format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses, and delivery formats. The full-frame sensor area gives you a stunning 3:2 open gate image, which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8, and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K, or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf, and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality.\u003ch3\u003eInterchangeable Lens Mounts\u003c\/h3\u003eDifferent projects require different lenses, which is why URSA Cine features an interchangeable lens mount. This model includes a locking EF mount, and you can quickly switch between PL, LPL, and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF, or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next. Plus, each mount has contact pins to read lens metadata for monitoring and for use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work.\u003ch3\u003eMonitoring and Camera Control\u003c\/h3\u003eThe URSA Cine lets crews work faster on set with multiple monitoring options. The fold-out monitor has a large 5\" HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera. On the right side of the camera, there's a dedicated assist station with a second 5\" HDR touchscreen that allows the crew to work around the camera without needing external monitors. Plus, with a 1500 cd\/m² display and removable sunshade, it's always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides, and more. There's even a dedicated focus puller's mode to help you get perfect focus.\u003ch3\u003eIndustry-Standard Connections\u003c\/h3\u003eThe wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin LEMO and 3-pin Fischer connectors at the front provide record start\/stop and 24V power and so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin LEMO connection, plus there's an additional 2-pin LEMO 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling. There are also two independent 12G-SDI outputs for monitoring on two different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing.\u003ch3\u003eBlackmagic RAW Capture\u003c\/h3\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bit rate encoding options are designed to give you the best possible images with predictable and consistent file sizes. The URSA Cine records to the optional Blackmagic Media Module 8TB, allowing you to capture over four hours of Blackmagic RAW in 12K or a massive 20 hours in 4K.\u003ch3\u003eGeneration 5 Color Science\u003c\/h3\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Cine sensor.\u003cbr\u003eThis delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car taillights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work.\u003ch3\u003eBuilt-In Optical Low-Pass Filter\u003c\/h3\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultrasharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low-pass filter minimizes that interference, which results in a reduction of moire and aliasing. The URSA Cine includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response that, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.\u003ch3\u003eBuilt-In Color-Balanced ND Filters\u003c\/h3\u003eThe URSA Cine features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2-, 4- and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction, or fraction on the LCD.\u003ch3\u003eHigh-Resolution, High Frame Rate Capture\u003c\/h3\u003eThe URSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K, and even insanely detailed 12K. You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen. For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408, and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8192 x 3408. The camera has flexible frame rate and resolution options, and it captures incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100MP per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time.\u003ch3\u003eHigh-Performance Internal Recording Media\u003c\/h3\u003eURSA Cine is the first digital film camera with ultrafast high capability Cloud Store technology built in. Blackmagic Media Module is fast and rugged and includes a massive 8TB of storage. It's like a Cloud Store Mini built into your camera. The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet, or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration.\u003ch3\u003eFast Media Offloading\u003c\/h3\u003eThe optional Blackmagic Media Dock accelerates your post-production workflow by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time. The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly, and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.\u003ch3\u003eDeliver Clips Directly into DaVinci Resolve Bins\u003c\/h3\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds, so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multisource feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows.\u003ch3\u003eConnect to Mobile Data, High-Speed Wi-Fi, or Ethernet\u003c\/h3\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port, and URSA Cine will configure for mobile data. Plus, it works with the latest high-speed 5G phones, as well as 4G. You can also connect via high-speed Wi-Fi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world. That's a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003ch3\u003eLive Stream Directly to Your Client\u003c\/h3\u003eNow you can live stream from film sets. The URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening.\u003ch3\u003eHigh-Resolution Viewfinder\u003c\/h3\u003eThe URSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 color OLED display with a built-in proximity sensor and a 4-element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information, such as frame guides. The URSA Cine EVF is easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with two different types of eyecups.\u003ch3\u003eIndustry-Standard Batteries and Power\u003c\/h3\u003eThe URSA Cine includes an 8-pin LEMO power connector at the back of the camera that works with 24V and 12V power supplies. That means it's easy to use the camera with existing power supplies, batteries, and accessories. The front of the camera includes additional LEMO and Fischer connectors for powering lens motors and other accessories. The URSA Cine comes with a massive 250W power supply and B-mount battery plate, so you can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. You can also add the optional Blackmagic URSA Cine V-lock Battery Plate or Blackmagic URSA Cine Gold Battery Plate to use legacy V-mount and Gold mount batteries.\u003ch3\u003ePowered by Blackmagic OS\u003c\/h3\u003eWith advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003ch3\u003eDigital Slate for Fast Metadata Entry\u003c\/h3\u003eThe URSA Cine features a digital slate, so you can quickly add metadata to any shot. Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording, the slate can automatically increment the take numbers, so you don't have to enter them manually for each shot. You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated, or it can be entered manually, along with production-specific information, technical information, and more. All of the metadata is saved with the files for use in post-production when editing and color correcting with software such as DaVinci Resolve.\u003ch3\u003eWireless Bluetooth Camera Control\u003c\/h3\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time.\u003ch3\u003eLocalized in 13 Popular Languages\u003c\/h3\u003eThe URSA Cine is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus, and monitoring information will be displayed in the selected language.\u003ch3\u003eIncludes DaVinci Resolve Studio\u003c\/h3\u003eThe URSA Cine includes a full version of DaVinci Resolve Studio. You get the world's most advanced solution that combines professional editing, color correction, audio post, and visual effects, all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you're working on major Hollywood feature films, episodic television, music videos, commercials, or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio, and delivery.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535217807500,"sku":"CINEURSAA12KLFBODY","price":28317.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Ursa-Cine-12k.webp?v=1772744973"},{"product_id":"blackmagic-design-ursa-cine-17k-65-body-only","title":"Blackmagic Design URSA Cine 17K 65 (Body Only)","description":"\u003ch2\u003eBlackmagic Design URSA Cine 17K PL Mount Overview\u003c\/h2\u003e\u003cbr\u003eGet ready for big and bold cinema with the Blackmagic Design URSA Cine 17K 65 digital cinema camera. This 17K cinema camera provides a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 resolution and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 color science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.\u003cbr\u003e\u003ch3\u003eQuick Features\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eCinematic ultralarge format 2.2:1 aspect sensor with a massive 16 stops of dynamic range\u003c\/li\u003e    \u003cli\u003eLightweight camera body with industry-standard connections\u003c\/li\u003e    \u003cli\u003eBlackmagic RAW for real-time 17K editing\u003c\/li\u003e    \u003cli\u003eGeneration 5 Color Science with new film curve\u003c\/li\u003e    \u003cli\u003eInterchangeable lens mount with PL (included), LPL, EF, and HC options\u003c\/li\u003e    \u003cli\u003eBuilt-in OLPF for reduced moire and aliasing\u003c\/li\u003e    \u003cli\u003eIncludes Blackmagic Media Module 8TB for recording\u003c\/li\u003e    \u003cli\u003eCompatible with the Blackmagic Media Dock\u003c\/li\u003e    \u003cli\u003eHigh-speed Wi-Fi, 10G Ethernet, or mobile data for network connections\u003c\/li\u003e    \u003cli\u003eBuilt-in RTMP and SRT live streaming\u003c\/li\u003e    \u003cli\u003eOptional Blackmagic URSA Cine EVF\u003c\/li\u003e    \u003cli\u003eIncludes DaVinci Resolve Studio for post-production\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003ch3\u003eNew 17K Sensor\u003c\/h3\u003e\u003cbr\u003eThe new URSA Cine 17K 65 camera features a new 65mm sensor designed for high-quality images at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture provides equal amounts of red, green, and blue pixels to deliver rich colors at all resolutions.\u003cbr\u003e\u003ch3\u003eStorage Options\u003c\/h3\u003e\u003cbr\u003eBlackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and color correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras, all at the same time.\u003cbr\u003eThe URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K using the full 65mm sensor aperture or up to 20 hours in 4K. You can also use the optional Blackmagic Media Module CF, which has dual CFexpress slots.\u003cbr\u003e\u003ch3\u003eBuilt-In Cloud Storage\u003c\/h3\u003e\u003cbr\u003eThe URSA Cine 17K features built-in ultrafast Cloud Store technology, allowing customers to record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. It supports creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is available back at the studio in real time.\u003cbr\u003e\u003ch3\u003eLens Options\u003c\/h3\u003e\u003cbr\u003eThe lens mount is user-interchangeable between PL, LPL, EF, and Hasselblad mounts. A PL lens mount comes preinstalled on the camera body. Each mount has contact pins to read lens metadata for monitoring and post-production.\u003cbr\u003e\u003ch3\u003eBuilt-In OLPF\u003c\/h3\u003e\u003cbr\u003eThe camera includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response, which, when combined with Blackmagic RAW processing for the URSA Cine 17K, preserves color and critical image detail for new levels of image fidelity.\u003cbr\u003e\u003ch3\u003eBlackmagic Raw Capture\u003c\/h3\u003e\u003cbr\u003eBlackmagic RAW is a format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or 20 hours in 4K.\u003cbr\u003e\u003ch3\u003eMonitoring Options\u003c\/h3\u003e\u003cbr\u003eThere is a large foldout 5\" HDR touchscreen monitor on one side and an external color status LCD on the other. There is also a second 5\" HDR touchscreen, allowing the crew to work around the camera without needing external monitors. There's even a dedicated focus puller mode to help customers get perfect focus. The URSA Cine 17K supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.\u003cbr\u003eAccessory and Control Ports\u003cbr\u003eThe 7-pin LEMO and 3-pin Fischer connectors on the front of the camera provide record start\/stop and 24V power and are ideal for onboard accessories such as focus motors.\u003cbr\u003eWireless Bluetooth Control\u003cbr\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control from up to 30' away using Bluetooth. The Blackmagic Camera Control app for iPad or third-party apps such as Bluetooth+ or tRigger can control the camera from your iOS and Android devices. A free developer SDK with sample code is also available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions.\u003cbr\u003e\u003ch3\u003ePost-Production Workflows\u003c\/h3\u003e\u003cbr\u003e\u003cul\u003e    \u003cli\u003eThere are three main post-production workflows that the URSA Cine 17K supports:\u003c\/li\u003e    \u003cli\u003eYou can record to the internal Blackmagic Media Module.\u003c\/li\u003e    \u003cli\u003eIf you're offline, you can browse media and manually select which clips you want to upload later.\u003c\/li\u003e    \u003cli\u003eLive Sync your DaVinci Resolve project with Blackmagic Cloud. As the camera is recording, the media will continuously upload and sync to all DaVinci users on that project.\u003c\/li\u003e    \u003cli\u003eStreaming Options\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003eYou can live stream directly from the camera using its hardware streaming engine, which supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G connection for mobile data.\u003cbr\u003e\u003ch3\u003eAmple Power\u003c\/h3\u003e\u003cbr\u003eAn 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. A 250W power supply and a B-mount battery plate are available as separate options, so customers can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's also an additional 12V 2-pin LEMO output on the rear of the camera to power lower-voltage accessories.\u003cbr\u003e\u003ch3\u003eVersatile Body Design\u003c\/h3\u003e\u003cbr\u003eThe evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.\u003cbr\u003e\u003ch3\u003eLocalized in 13 Languages\u003c\/h3\u003e\u003cbr\u003eWhen setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, and it will display that language on all on-screen overlays, setup menus, and monitoring information in the selected language.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535217840268,"sku":"CINEURSAA17K65BODY","price":89037.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Ursa-Cine-17K-65.webp?v=1772744974"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-canon-ef","title":"Blackmagic Design PYXIS 12K Cinema Camera (Canon EF)","description":"\u003ch2\u003eBlackmagic Design PYXIS 12K Overview\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/h3\u003e\u003cbr\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\u003cbr\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003cbr\u003e\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003cbr\u003e\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.Users anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003cbr\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535218626700,"sku":"CINECAMCPYXN12LFEF","price":20199.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Blackmagic-Design-PYXIS-12K-Cinema-Camera_67392dc2-3b10-4150-8d9d-b5a089848d0d.webp?v=1772744986"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera-leica-l","title":"Blackmagic Design PYXIS 12K Cinema Camera (Leica L)","description":"\u003ch2\u003eBlackmagic Design PYXIS 12K Overview\u003c\/h2\u003e\u003cbr\u003e\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/h3\u003e\u003cbr\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colors and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003cbr\u003e\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003cbr\u003e\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\u003cbr\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003cbr\u003e\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\u003cbr\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003cbr\u003e\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\u003cbr\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003cbr\u003e\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\u003cbr\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003cbr\u003e\u003ch3\u003eCustomizable Rigging\u003c\/h3\u003e\u003cbr\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003cbr\u003e\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\u003cbr\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.Onboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003cbr\u003e\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\u003cbr\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003cbr\u003e\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\u003cbr\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003cbr\u003e\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\u003cbr\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.Users anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003cbr\u003e\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\u003cbr\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003cbr\u003e\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\u003cbr\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.The back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003cbr\u003e\u003ch3\u003eA Reference\/Timecode input port syncs your sources.\u003c\/h3\u003e\u003cbr\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003cbr\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003cbr\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46535218659468,"sku":"CINECAMCPYXN12LFL","price":20199.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/Pyxis-12k-Leica-L.webp?v=1772744987"},{"product_id":"fujifilm-gfx-eterna-55-cinema-camera-fujifilm-g-arri-pl","title":"FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)","description":"\u003cdiv class=\"title_L6kDdYKxLS\"\u003e\n\u003ch2\u003eFUJIFILM GFX ETERNA 55 G\/PL Mount Overview\u003c\/h2\u003eAdvanced Large-Format Video CaptureFUJIFILM brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55's array of features is designed for exceptional video capture and seamless integration with FUJIFILM G lenses.\u003ch3\u003eNative 4:3 Aspect Ratio\u003c\/h3\u003eDubbed the GFX ETERNA \"55\" in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.\u003ch3\u003eFive Main Formats\u003c\/h3\u003eThe GFX ETERNA 55 offers five main formats that are paired to specific lens categories:\u003cul\u003e    \u003cli\u003eGF and Premista, for use with FUJIFILM lenses.\u003c\/li\u003e    \u003cli\u003e35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.\u003c\/li\u003e    \u003cli\u003eEach of these five formats has multiple resolution selections, further expanding your capture options.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eVideo Formats\/Resolutions\u003c\/h3\u003eThe GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.\u003cul\u003e    \u003cli\u003eOpen Gate is available in 3.8K 4:3 at rates up to 48 fps.\u003c\/li\u003e    \u003cli\u003eSuper 35 options include 6.3K24 in 16:9, DCI 4K30\/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.\u003c\/li\u003e    \u003cli\u003eAnamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAnamorphic Ready\u003c\/h3\u003eThe GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.\u003ch3\u003eRecording Codecs\u003c\/h3\u003eTake full advantage of the GFX ETERNA 55's large sensor and internally record video in Apple ProRes 422\/HQ\/LT, 4:2:2, 10-bit HEVC\/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.\u003ch3\u003eCustom Frame Guides\u003c\/h3\u003eUsers can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customizable functions include 1-100% scaling, four line widths, and five color options.\u003ch3\u003eFUJIFILM G and ARRI PL Mounts\u003c\/h3\u003eThe native FUJIFILM G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimized for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke \/i lens data where available.\u003ch3\u003eVariable ND Filter\u003c\/h3\u003eThe built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.\u003ch3\u003eLow-Pass Filter\u003c\/h3\u003eNew to the GFX line, the included OLPF (optical low-pass filter) helps to reduce color anomalies and moiré effects, especially helpful when shooting with LED wall backgrounds.\u003ch3\u003e20 Film Simulations\u003c\/h3\u003eGFX ETERNA 55 users have access to 20 FUJIFILM film stock simulations, letting you recreate your favorite cinema looks.\u003cul\u003e    \u003cli\u003ePROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE\u003c\/li\u003e    \u003cli\u003ePRO Neg. Hi and Std., Classic Neg., Nostalgic Neg., ETERNA\/Cinema\u003c\/li\u003e    \u003cli\u003eETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, + R Filter, + G Filter\u003c\/li\u003e    \u003cli\u003eBlack \u0026amp; White, Black \u0026amp; White + Ye Filter, + R Filter, + G Filter, Sepia\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eCinematic Visuals\u003c\/h3\u003eIn addition to the 20 film looks, the GFX ETERNA 55 lets users create 3D LUTs for select film simulations for use with the expansive colors and dynamic range of F-Log2 C.\u003cul\u003e    \u003cli\u003eETERNA, ETERNA BLEACH BYPASS, PROVIA\/Standard\u003c\/li\u003e    \u003cli\u003eVelvia\/Vivid, ASTIA\/Soft, REALA ACE\u003c\/li\u003e    \u003cli\u003eClassic Chrome, Classic Neg., ACROS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHot Swapping\u003c\/h3\u003eAn internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.\u003ch3\u003e5\" Monitor and Dual 3\" Displays\u003c\/h3\u003eThe GFX ETERNA 55 features dual built-in 3\" touchscreens with 4:3 aspect ratios and 700 cd\/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55's external 5\" touchscreen color LCD monitor provides a 16:9 aspect ratio and 2000 cd\/m² brightness for daylight visibility.\u003ch3\u003eDedicated Top Handle\u003c\/h3\u003eThe included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.\u003ch3\u003eConnectivity\u003c\/h3\u003eBuilt-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. BLE (Bluetooth Low Energy) will be supported using the FUJIFILM TG-BT1 tripod grip or an Atomos AirGlu Ambient device.\u003ch3\u003eExpanded Audio Input\u003c\/h3\u003eCompatibility with the TASCAM XLR microphone adapter handle lets you expand the GFX ETERNA 55's audio input options.\u003ch3\u003eAdditional Details\u003c\/h3\u003e\n\u003cul\u003e    \u003cli\u003eGrab button for capturing still photos\u003c\/li\u003e    \u003cli\u003e2-pin LEMO output for powering accessories\u003c\/li\u003e    \u003cli\u003eSDI, HDMI, genlock, USB-C, Ethernet, and remote connectors\u003c\/li\u003e    \u003cli\u003eAll connectors have durable caps to protect against dust and debris\u003c\/li\u003e    \u003cli\u003eMicrophone input and headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"FUJIFILM","offers":[{"title":"Default Title","offer_id":46535219380364,"sku":"16969715","price":55238.0,"currency_code":"AED","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/files\/1758193523_1861870.jpg?v=1772744991"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0730\/0585\/8956\/collections\/Digital_Cinematography_Cameras.jpg?v=1771331752","url":"https:\/\/systecintl.ae\/collections\/digital-cinematography-cameras.oembed?page=2","provider":"Systec International","version":"1.0","type":"link"}