Blackmagic Design URSA Mini Pro 12K with OLPF

the Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera features a video recording up to 12K with the with OLPF from . This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new color science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K OLPF uses an optical low pass filter that minimizes unwanted image interference when shooting in virtual production environments and also offers updated IR filtering. The camera records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFast 2.0 card capture and high-speed USB-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.
you can get it today from Systec International Blackmagic Design authorized reseller

Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera

Great Filming Experience

The URSA Mini Pro 12K’s Cinema Camera massive resolution gives you the immersive detail, wide dynamic range, and deep color of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves color and eliminates aliasing for an ultra-smooth look.

Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera

URSA Mini Pro 12K best Cinematic Scenes by the 12K Super 35 Sensor

The URSA Mini Pro 12K’s new Super35 sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This Super35 sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K Super35 sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.

Great for Virtual Cinema Production

The URSA Mini Pro 12K OLPF Cinema Camera adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.
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In URSA Mini Pro 12K Cinema Camera Choose between PL mount Lenses and Ef Mount Lenses

The front of the URSA Mini Pro 12K Cinema Camera Super35 sensor sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers.
Canon EF and Nikon F mounts are available separately for shooters who have their own glass.

URSA Mini Pro 12K Generation 5 Color Science

The Gen 5 color science’s new film curve takes advantage of the huge amounts of color data produces by the URSA Mini Pro 12K’s Super35 sensor. The result is more attractive skin tones and improved color saturation for images like neon signs and car taillights.

you can get it today from Systec International Blackmagic Design authorized reseller

Blackmagic Design URSA Mini Pro 12K Digital Cinema Camera

Blackmagic RAW using 12-Bit Raw Workflow

A new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.

you can get it today from Systec International Blackmagic Design authorized reseller

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